That lapse of certainty marked a difference in their relations. He chose
to put it down to the strange circumstance of her celebrity; and, though
he hesitated, he stayed. To stay was, after all, the thing which at the
moment he most wanted to do. And the thing which Tanqueray most wanted
to do at the moment that he invariably did. This temper of his had but
one drawback, that it left him at the moment's mercy.
That was what he felt now when he found himself alone with her for the
first time in many weeks.
She wondered how far he had seen through her. She had made the others go
that he might stay with her, a palpable man[oe]uvre. Of course she would
not have lent herself to it for any ordinary man. His genius justified
her.
Six weeks ago she would not have had to retreat behind his genius. Six
weeks ago she had never thought of his genius as a thing apart from him.
There was her own genius, if it came to that. It had its rights. Six
weeks ago she would not have had to apologize to herself for keeping
him.
"I didn't know you could change your mind so quickly," he said.
"If you had my mind, George, you'd want to change it."
"What's wrong with your mind, Jinny?"
"It won't work."
"Ah, it's come to that, has it? I knew it would."
She led the way into another room, the room she wrote in. Jane lived
alone. Sometimes he had wondered how she liked it.
There was defiance in her choice of that top floor in the old house in
Kensington Square. To make sure her splendid isolation, she had cut
herself off by a boarded, a barricaded staircase, closed with a door at
the foot. Tanqueray knew well that consecrated, book-lined room, and the
place of everything it held. He had his own place there, the place of
honour and affection. His portrait (a mere photograph) was on her
writing-table. His "Works"--five novels--were on a shelf by themselves
at the head of her chair, where she could lay her hands on them.
Public-domain text, read in full here on John Shaqi.
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