Aware now, vividly aware, of the thing he was doing, he asked himself why, if he was not in love with Jane, he had not been in love with Nina? Nina had shown signs. Yes, very unmistakably she had shown signs. He could recall a time when there had lurked a betraying tenderness about her ironic mouth; when her queer eyes, as they looked at him, took on a certain softness and surrender. It had not touched him. To his mind there had always been something a little murky about Nina. It was the fault, no doubt, of her complexion. Not but what Nina had a certain beauty, a tempestuous, haggard, Roman eagle kind of beauty. She looked the thing she was, a creature of high courage and prodigious energy. Besides, she had a devil. Without it, he doubted whether even her genius (he acknowledged, a little grudgingly, her genius) could have done all it did. It had entered into Tanqueray's head (though not his heart) to be in love with Jane. But never, even by way of fantasy, had it entered it to be in love with Nina; though it was to Nina that he looked when he wanted the highest excitement in his intellectual seraglio. He could not conceive any man being in love with her, to the extent, that is to say, of trying to marry her. Nina had the thing called temperament, more temperament and murkier than he altogether cared for; but, as for marrying, you might as well try to marry some bird of storm on the wing, or a flash of lightning on its career through heaven. Nina--career and all--was pre-eminently unfit. She had shown, more than once, this ironic antagonism, as if she knew what he thought of her, and owed him a grudge. If not Nina, why not Laura? She was small and she was pretty and she was pathetic, and he liked women to be so. Why was it that with all her feminine smallness and prettiness and pathos he had never cared for her? They were talking. "Tired, Laura?" Jane asked. "Only sleepy. Papa had another dream last night." They laughed. So did Laura, though her tragedy was there, the tragedy which had given her that indomitable face. Laura lived under conditions which would have driven Tanqueray mad. She had a father; she who, as Jane said, could least of all of them afford a father. Her father had had a sunstroke, and it had made him dream dreams. He would get up a dozen times in the night and wander in and out of Laura's bedroom, and sit heavily on her bed and tell her his dreams, which terrified Laura. "It wasn't funny, this time," said she. "It was one of his horrid ones." Nobody laughed then. They were dumb with the pity and horror of it. Laura's father, when he was awake, was the most innocent, most uninspired, most uncreative of old gentlemen; but in his dreams he had a perfect genius for the macabre. The dreams had been going on for about a year, and they were making Laura ill. Tanqueray knew it, and it made him sad. That was why he had not cared to care for Laura.