"My dear," said Miss Bickersteth. "Tell me. Have you any idea how much
she cares for him?"
"She?"
"Jane."
"You've no reason to suppose she cares."
"Do you think he cared in the very least for her?"
"I think he may have--without knowing it."
"My dear, there's nothing that man doesn't know. He knows, for instance,
all about _us_."
"Us?"
"You and I. We've both of us been there. And Nina."
"How _do_ you know?"
"She was flagrant!"
"Flagrant?"
"Flagrant isn't the word for it. She was flamboyant, magnificent,
superb!"
"You forget she's my friend," said little Laura.
"She's mine. I'm not traducing her. Look at George Tanqueray. I defy any
woman not to care for him. It's nothing to be ashamed of--like an
infatuation for a stockbroker who has no use for you. It's--it's your
apprenticeship at the hands of the master."
XIII
Nina inhabited a third floor in a terrace off the Strand, overlooking
the river. You approached it by secret, tortuous ways that made you
wonder.
In a small backroom, for an unspeakable half-hour, the two women had sat
over the table facing each other, with Tanqueray's empty place between
them. There had been moments when their sense of his ironic, immaterial
presence had struck them dumb. It was as if this were the final,
consummate stroke of the diabolic master. It had been as impossible to
talk about him as if he had been sitting there and had overheard them.
They left him behind them in the other room, a room where there was no
evidence of Tanqueray's ever having been. The place was incontestably
and inalterably Nina's. There were things in it cared for by Nina with a
superstitious tenderness, portraits, miniatures, relics guarded, as it
were, in shrines. And in their company were things that Nina had worn
out and done with; things overturned, crushed, flung from her in a fury
of rejection; things on which Nina had inflicted personal violence,
provoked, you felt, by their too long and intimate association with her;
signs everywhere of the pace at which she went through things. It was as
if Nina had torn off shreds, fringes, whole layers of herself and left
them there. You inferred behind her a long, half-savage ancestry of the
open air. There were antlers about and the skins of animals. A
hunting-crop hung by the chimney-piece. Foils, fishing-rods, golf-clubs
staggered together in a corner. Nina herself, long-limbed, tawny,
aquiline, had the look of wild and nervous adolescence prisoned within
walls.
Beyond this confusion and disorder, her windows opened wide to London,
to the constellated fires, the grey enchantment and silence of the
river.
It was Nina who began it. Leaning back in a very low chair, with her
legs crossed and her arms flung wide, a position almost insolent in its
ease, she talked.
"Jinny," she said, "have you any idea how it happened?"
Jane made a sound of negation that was almost inaudible, and wholly
inarticulate.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account