The cremation of the dead: considered from an aesthetic, sanitary, religious, historical, medico-legal, and economical standpointErichsen, Hugo
Religion
The cremation of the dead: considered from an aesthetic, sanitary, religious, historical, medico-legal, and economical standpoint
Erichsen, Hugo
Cremation
According to Pindar (Ol. 6, 23, Nem. 9, 54), during the combat of the
Seven against Thebes, funeral pyres were burning at each of the seven
gates of the city, to consume those slain in battle. The heathens, as
they are called, were not to be charged with any lack of respect to
their departed dead. On the contrary, the most tender sentiments
conceivable were attached to the practice of cremation. There was a
Theban regulation that no one should build a house without a specific
repository for the dead.
Æneas and the other Trojans, who escaped with him from the burning city
of the hundred gates (as Priam’s capital was sometimes called),
introduced cremation (Virgil’s Æneid, B. IV, 7) into Carthage, if it did
not exist there previous to their arrival. It is possible that the
inhabitants of Carthage, which was one of the Phœnician cities in
Africa, derived the practice from the mother-country. At all events, the
tragedy of love, in which Æneas was involved, ended with the suicide of
Dido, who cremated herself.
The eleventh book of the Æneas gives a description of an incineration
among the ancient inhabitants of Latium.
Self-cremation seems to have been one of the favorite means of disposing
of one’s self in ancient times, especially among the royalty and
aristocracy. Both tradition and history report of many women, friends,
and servants who, of their own free will, mounted the funeral pyre with
the departed head of the family. Besides Hercules and Dido, already
mentioned, Sardanapalus, the last king of the Assyrians, burned himself
in the year 600 before Christ, because the Tigris had destroyed the
fortifications of besieged Nineveh, and the following also mounted the
pyre for the same purpose: Marpessa, Polydora, and Cleopatra (Vide
Pausanias, 4, 2), three noble women of Messenia, and Euadne, the wife of
Capaneus, who threw herself into the flames which consumed her husband.
The pyre of Sardanapalus, we are told, was very large and contained many
rooms, which were elegantly furnished, and in which the royal treasures
were heaped up, before the king entered them with his women, while his
servants set the pile on fire. It is well known that the widows of
India, until very recently, perished of their own free will in the
flames that consumed their husbands.
Public-domain text, read in full here on John Shaqi.
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