The cremation of the dead: considered from an aesthetic, sanitary, religious, historical, medico-legal, and economical standpointErichsen, Hugo
Religion
The cremation of the dead: considered from an aesthetic, sanitary, religious, historical, medico-legal, and economical standpoint
Erichsen, Hugo
Cremation
When the Davis furnace is used, the process is as follows: The
catafalque, bearing the crib which is covered with a cloth 15 feet long,
wet with alum water, is placed by the side of the casket containing the
body, the lid of which is removed and strips of muslin are passed under
it. The ends of the bands are attached to an elevator, and the body is
gently raised up and placed upon the alum-sheet-covered crib, the free
end being covered over, thus entirely enveloping it. This procedure is
necessary to prevent the clothing in which the corpse is dressed from
igniting. All being in readiness, the catafalque, on noiseless casters,
is placed in front of the retort. A cable is then attached to the crib,
the retort door is opened, a signal is given, and the catafalque with
its burden gently approaches the open retort; when near, it stops, and
noiselessly the corpse is moved into the retort, impelled, as it were,
by an unseen agency. When it is in the proper position, a signal is
given, the machinery in the rear and out of sight stops, the door is
closed air-tight, and the mechanical process gives way to the chemical.
When the retort is opened, the cold air rushing in, the cold body, crib,
and alum-sheet chill for a few moments the inner surface of the retort;
in a few moments the retort regains its heat; a fine mist commences to
arise from the body, which gradually becomes thicker and more dense,
until the inside of the retort has the appearance of dense white mist.
The idea of fine snow or fog is suggested. This appearance remains until
the soft tissues are reduced to ashes. Then the interior of the retort
gradually becomes more clear. The alum-sheet will be seen to be in the
same position as when put in; perhaps slightly sunken. A blue flame will
be seen arising through the sheet; about six inches above the body it
becomes extinguished. This continues until the bony structure is
completely cremated, when all is white as snow, and nothing can be seen
inside the retort, the ashes having fallen through the crib and the
alum-cloth collapsed. The oxygen by the intense heat has been made to
unite with the carbonaceous elements of the body, and the resulting
carbonic acid gas, ammonia, and water are driven off through the retort
walls into and through the flues to the air without, where they mingle
with the elements of nature. In the retort are the ashes, consisting of
pure oxide of lime.
It is plain from the above that the corpse does not come in contact with
the flames, that is, the fire, in this apparatus. There is no burning.
The body is simply oxidized, and the union of the oxygen and the organic
matter composing the body is so complete that what nature has so
perfectly formed in life appears to gently, quietly melt away in death,
and becomes resolved into its original elements.
Public-domain text, read in full here on John Shaqi.
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