There you have one side of the outer man; and the most has been made of it. "Always figuring, always posturing," we hear. I merely point to the seventy noble generations, the personality made up of that courtly heredity, whose smallest quite spontaneous acts and habits seemed to men worth recording, as showing how the perfect gentleman behaved: a model. Another side is found in the lover of poetry, the devotee of music, the man of keen and intense affections. Surely, if a _poseur,_ he might have posed when bereavement touched him; he might have assumed a high philosophic calm. But no; he never bothered to; even though reproached for inconsistency. His mother died when he was twenty-four; and he broke through all rites and customs by raising a mound over her grave; that, as he said, he might have a place to turn to and think of as his home whereever he might be on his wanderings. He mourned for her the orthodox twenty-seven months; then for five days longer would not touch his lute. On the sixth day he took it and began to play; but when he tried to sing, broke down and wept. One is surprised; but there is no posing about it. Yen Hui was his saint John, the Beloved disciple. "When Yen Hui died," we read, "the Master cried, 'Woe is me! I am undone of Heaven! I am undone of Heaven!' When Yen Hui died the Master gave way to grief. The disciples said: 'Sir, you are giving way.'--'Am I giving way?' said he. 'If for this man I do not give way, for whom shall I give way?... Hui treated me as a son his father; I have failed to treat him as a father his son.'" Confucius was old then, and near his own death... But what I think you will recognise in his speech, again and again, is the peculiarly spontaneous... indeed impetuous ... ring of it. He had that way of repeating a sentence twice that marks a naturally impetuous man.--Of his sense of humor I shall speak later.