The Cricket on the Hearth: A Fairy Tale of HomeDickens, Charles
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The Cricket on the Hearth: A Fairy Tale of Home
Dickens, Charles
Christmas stories, English; England -- Social life and customs -- 19th century -- Fiction; Holidays -- Fiction
‘Read the writing on the other side,’ said John.
‘Why, John! My Goodness, John!’
‘Ah! who’d have thought it!’ John returned.
‘You never mean to say,’ pursued Dot, sitting on the floor and shaking
her head at him, ‘that it’s Gruff and Tackleton the toymaker!’
John nodded.
Mrs. Peerybingle nodded also, fifty times at least. Not in assent—in
dumb and pitying amazement; screwing up her lips the while with all their
little force (they were never made for screwing up; I am clear of that),
and looking the good Carrier through and through, in her abstraction.
Miss Slowboy, in the mean time, who had a mechanical power of reproducing
scraps of current conversation for the delectation of the baby, with all
the sense struck out of them, and all the nouns changed into the plural
number, inquired aloud of that young creature, Was it Gruffs and
Tackletons the toymakers then, and Would it call at Pastry-cooks for
wedding-cakes, and Did its mothers know the boxes when its fathers
brought them homes; and so on.
‘And that is really to come about!’ said Dot. ‘Why, she and I were girls
at school together, John.’
He might have been thinking of her, or nearly thinking of her, perhaps,
as she was in that same school time. He looked upon her with a
thoughtful pleasure, but he made no answer.
‘And he’s as old! As unlike her!—Why, how many years older than you, is
Gruff and Tackleton, John?’
‘How many more cups of tea shall I drink to-night at one sitting, than
Gruff and Tackleton ever took in four, I wonder!’ replied John,
good-humouredly, as he drew a chair to the round table, and began at the
cold ham. ‘As to eating, I eat but little; but that little I enjoy,
Dot.’
Even this, his usual sentiment at meal times, one of his innocent
delusions (for his appetite was always obstinate, and flatly contradicted
him), awoke no smile in the face of his little wife, who stood among the
parcels, pushing the cake-box slowly from her with her foot, and never
once looked, though her eyes were cast down too, upon the dainty shoe she
generally was so mindful of. Absorbed in thought, she stood there,
heedless alike of the tea and John (although he called to her, and rapped
the table with his knife to startle her), until he rose and touched her
on the arm; when she looked at him for a moment, and hurried to her place
behind the teaboard, laughing at her negligence. But, not as she had
laughed before. The manner and the music were quite changed.
The Cricket, too, had stopped. Somehow the room was not so cheerful as
it had been. Nothing like it.
‘So, these are all the parcels, are they, John?’ she said, breaking a
long silence, which the honest Carrier had devoted to the practical
illustration of one part of his favourite sentiment—certainly enjoying
what he ate, if it couldn’t be admitted that he ate but little. ‘So,
these are all the parcels; are they, John?’
Public-domain text, read in full here on John Shaqi.
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