The Cricket on the Hearth: A Fairy Tale of Home — John Shaqi
The Cricket on the Hearth: A Fairy Tale of HomeDickens, Charles
General
The Cricket on the Hearth: A Fairy Tale of Home
Dickens, Charles
Christmas stories, English; England -- Social life and customs -- 19th century -- Fiction; Holidays -- Fiction
There were various other samples of his handicraft, besides Dolls, in
Caleb Plummer’s room. There were Noah’s Arks, in which the Birds and
Beasts were an uncommonly tight fit, I assure you; though they could be
crammed in, anyhow, at the roof, and rattled and shaken into the smallest
compass. By a bold poetical licence, most of these Noah’s Arks had
knockers on the doors; inconsistent appendages, perhaps, as suggestive of
morning callers and a Postman, yet a pleasant finish to the outside of
the building. There were scores of melancholy little carts, which, when
the wheels went round, performed most doleful music. Many small fiddles,
drums, and other instruments of torture; no end of cannon, shields,
swords, spears, and guns. There were little tumblers in red breeches,
incessantly swarming up high obstacles of red-tape, and coming down, head
first, on the other side; and there were innumerable old gentlemen of
respectable, not to say venerable, appearance, insanely flying over
horizontal pegs, inserted, for the purpose, in their own street doors.
There were beasts of all sorts; horses, in particular, of every breed,
from the spotted barrel on four pegs, with a small tippet for a mane, to
the thoroughbred rocker on his highest mettle. As it would have been
hard to count the dozens upon dozens of grotesque figures that were ever
ready to commit all sorts of absurdities on the turning of a handle, so
it would have been no easy task to mention any human folly, vice, or
weakness, that had not its type, immediate or remote, in Caleb Plummer’s
room. And not in an exaggerated form, for very little handles will move
men and women to as strange performances, as any Toy was ever made to
undertake.
In the midst of all these objects, Caleb and his daughter sat at work.
The Blind Girl busy as a Doll’s dressmaker; Caleb painting and glazing
the four-pair front of a desirable family mansion.
The care imprinted in the lines of Caleb’s face, and his absorbed and
dreamy manner, which would have sat well on some alchemist or abstruse
student, were at first sight an odd contrast to his occupation, and the
trivialities about him. But, trivial things, invented and pursued for
bread, become very serious matters of fact; and, apart from this
consideration, I am not at all prepared to say, myself, that if Caleb had
been a Lord Chamberlain, or a Member of Parliament, or a lawyer, or even
a great speculator, he would have dealt in toys one whit less whimsical,
while I have a very great doubt whether they would have been as harmless.
‘So you were out in the rain last night, father, in your beautiful new
great-coat,’ said Caleb’s daughter.
‘In my beautiful new great-coat,’ answered Caleb, glancing towards a
clothes-line in the room, on which the sack-cloth garment previously
described, was carefully hung up to dry.
‘How glad I am you bought it, father!’
‘And of such a tailor, too,’ said Caleb. ‘Quite a fashionable tailor.
It’s too good for me.’
Public-domain text, read in full here on John Shaqi.
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