The Cries of London: Exhibiting Several of the Itinerant Traders of Antient and Modern TimesSmith, John Thomas
History
The Cries of London: Exhibiting Several of the Itinerant Traders of Antient and Modern Times
Smith, John Thomas
Cries -- England -- London; London (England) -- Social life and customs -- Illustrations; Peddling -- England -- London
John Thomas Smith was the son of Nathaniel Smith, sculptor, and afterwards
a well-known printseller, living at Rembrandt's Head, 18 Great
May's-buildings, St. Martin's-lane; and we have his own authority, written
in the album of Mr. Upcott of Upper Street, Islington, for stating, he was
literally "born in a hackney coach, June 23, 1766, on its way from his
uncle's old Ned Tarr, a wealthy glass-grinder, of Great Earl Street, Seven
Dials, to his father's house in Great Portland-street, Oxford Street;
whilst Maddox was balancing a straw at the Little Theatre in the Hay
Market, and Marylebone Gardens re-echoed the melodious notes of the famed
Tommy Lowe."
He was christened John, after his grandfather (a simple Shropshire
clothier, and whose bust was the first model _publicly_ exhibited at
Spring Gardens), and Thomas, after his great uncle Admiral Smith, better
known under the appellation of "Tom of Ten Thousand" (who died in 1762),
and of whom Mr. Smith had a most excellent portrait painted by the
celebrated Richard Wilson, the landscape painter, before that artist
visited Rome, and of which there is a good engraving by Faber. The
original Painting has lately been purchased by an honourable Admiral, to
be presented by him to the Naval Gallery at Greenwich Hospital.
His father, Nathaniel Smith, was born in Eltham Palace, and was the
playfellow of Joseph Nollekens, R.A. They both learned drawing together at
William Shipley's school, then kept in the Strand, at the eastern corner
of Castle-court, the house where the Society of Arts held its first
meetings.
On the 7th August, 1755, Nathaniel Smith was placed with Roubiliac, and
had the honour of working with him on some of the monuments in
Westminster Abbey; Nollekens was put, in 1750, under the instruction of
Scheemakers. These young sculptors, about 1759 and 1760, carried off some
of the first and best prizes offered by the Society of Arts. Smith settled
himself in Great Portland-street; and his friend Nollekens in
Mortimer-street, Cavendish-square, where he resided till his death.
Public-domain text, read in full here on John Shaqi.
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