When this man was asked what particular event he recollected, his information was principally confined to the Elegies he had sold. He seemed anxious, however, to inform the public that in the year 1753 the quartern loaf was sold at fourpence halfpenny, mutton was two-pence halfpenny a pound, that porter was then three-pence a pot, and that the National Debt was twenty-four millions. Notwithstanding this man's memory served him in the above particulars, which perhaps he had repeated so often that he could not forget them, yet he positively did not know his age; he said he never troubled his head with that, for that his father told him if he only mentioned the year of his birth any scholar could tell it. His father, he observed, cried the Elegy of that notorious magistrate Sir Thomas de Veil,[13] which went through nine editions, as there was hardly a thief or strumpet that did not purchase one. Hogarth is supposed to have introduced this magistrate in his "Woman swearing a Child to a grave Citizen." In his Plate of "Night," the drunken Freemason has also been supposed to be Sir Thomas de Veil. This man had rendered himself so obnoxious by his intrigues with women, and his bare-faced partialities in screening the opulent, that the executors, who were afraid of the coffin being torn to pieces by the mob, privately conveyed it to a considerable distance from Bow Street by three o'clock in the morning. It was formerly not only the custom to print Elegies on the great people, but on all those in the lowest class of life who had rendered themselves conspicuous as public characters. Indeed we may recollect the Elegies to the memory of Sam House, the political tool of Mr. Fox among the vulgar part of his voters, and also that to the memory of Henry Dimsdale, the muffin man, nicknamed Sir Harry Dimsdale, the Mayor of Garratt, who succeeded the renowned Sir Jeffrey Dunstan, commonly called Old Wigs, from his being a purchaser of those articles. The last Elegy was to the memory of the lamented Princess Charlotte, and it was then that the portrait of the above-mentioned Elegy-vender was taken.