It was past one when I got out. I ought to have gone straight to the
City. Instead, I dropped into the Climax, and had just one rubber. I
cut Pendarvon against Graeme and Bicketts. Pendarvon and I had the luck
of the devil: we scored a bumper. Altogether, with bets, I walked off
with about a pony. When I reached the City it was not very far from
four. I made for a broker in Austin Friars--a man named Tennant, Thomas
Tennant--as steady a file as ever I saw. I have done a good deal of
business through him at various times. I don't fancy that he has much
nose of his own; but he keeps quiet, asks no questions, and follows
instructions to the letter.
Tennant was out. He was not in the House. A clerk thought that he was
at Danby's; he would go and see. I knew where Danby's was--it is one of
those City restaurants where there is more drank than ate--so I saved
that clerk his trouble, and went myself.
I spotted Tennant directly I got inside the place--a plump little
fellow, with round, pasty face, and hair which always looked to me as
if he soaped it. A mild, unassuming neat-as-ninepence sort of man. He
had a table to himself. As a rule, in a mild sort of way, he is jolly
as a sandboy. Just then it appeared to me that he seemed hipped. Taking
a chair on the opposite side of the table, carelessly, thoughtlessly
enough, I took hold of a scrap of paper on which he had been
scribbling. When I glanced at it a thrill went down my back. It was a
bolt out of the blue. I do not think that in all my life before I was
ever so taken by surprise.
Tennant had been scribbling all over the sheet of paper a woman's
name--"Louise O'Donnel." That my appearance on the scene at that
particular moment was a pure coincidence, I had, of course, no doubt.
It could not have been otherwise. But how came he to have been writing
that name? I could scarcely believe my eyes. I stared at the paper, and
then at him.
"What is the meaning of this?" I asked.
"The meaning of what?"
When I showed him what he had been writing on the piece of paper he
seemed to be as much taken aback as I was. At first he wanted me to
believe that he had been writing a name over and over again without
having an idea of what it was that he was doing. I could not make him
out at all. He made me feel uneasy.
So far as I was aware, I was the only person in England who had been
acquainted with the girl's real name. She had always assured me that
such was the case, and I had believed her. Everybody, except myself,
knew her by her stage name--Milly Carroll. Her father was the only
relative she had in the world, and he was in Colorado. Father and
daughter had fallen out. Coming to England with a burlesque company
from New York, she had left him on the other side of the world. If
this story of hers was true--and I did not, and do not, believe she
lied--she was not that sort of girl--how did Mr. Thomas Tennant come to
be in possession of her name?
I put the question to him point blank.
Public-domain text, read in full here on John Shaqi.
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