"What I see that night! What I see an' was mug enough not to twig till I
come out an' 'eard all the talk! Is that good enough? If not, the
rest'll keep; but it'll put you in the jug all right, I don't care 'oo's
on your side. It's one law for the rich and one for the pore. 'Ang me as
never done it, an' 'ush you up, as did! But I've heard tell that murder
will out, an' you'll find that murderers will in--to prison--even when
they're titled lidies with the King on 'is throne be'ind 'em! It'll ruin
you, if it does no more--ruin you an' yours--an' break all your 'earts!"
It was enough. She stripped her neck, she stripped her fingers; rings
and necklace, pearls and pendant, all lay in a shimmering heap in his
capacious palm, held for a moment's triumph under the electric light,
reflected for that moment in a mirror which his bulky frame had hidden
until now.
It was the mirror on the door of the miniature dressing-room between
every two compartments in the _train de luxe_; but in the very moment of
his exultation it ceased to reflect either Alfred Croucher or his
ill-gotten spoil. The door had opened; it framed a sable figure crowned
with silvery locks; lean hands flew out from the black shoulders, and
met round the neck of Croucher with the fell dexterity of a professional
garroter.
The pair backed together without a word. The one had murder in his set
teeth, the other death in the bulging eyes and darkening face, with its
collar of interlaced fingers white to the nails with their own pressure.
Lady Vera watched the two men as the fawn might watch the python struck
to timely death, until the communicating door shut upon them both, and
only her own unearthly form remained in the mirror. And the train ran on
and on, and the whole coach creaked and trembled, as coaches will even
in a _train de luxe_, only in that particular compartment it had not
been noticeable for some time.
Presently, as her nerve came back, one or two further observations of a
negative order were gradually made by Vera Moyle. She may be said to
have noticed that she did not notice one or two things she might have
expected to notice by now. The chief thing was that there was no sound
whatever from the compartment beyond the looking-glass door, no fuss or
undue traffic in the corridor. What had happened? Only too soon she
knew.
They had stopped at some nameless station between the tags of the
Italian boot. It was a chance of peeping out, and out peeped the shaken
girl from her window overlooking the line. And there, skipping on to
the next low platform, bag in hand, went the loud trousers under Alfred
Croucher's equally new and noisy ulster; and there at his elbow went the
venerable ecclesiastic, even holding him by the sleeve!
Public-domain text, read in full here on John Shaqi.
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