The Crime of Henry Vane: A Study with a MoralStimson, Frederic Jesup
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The Crime of Henry Vane: A Study with a Moral
Stimson, Frederic Jesup
Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Single men -- Fiction
The next Sunday, about sunset, as he and John were returning from a
long walk in the country, two figures came out of a small church on
Sixth Avenue, well known for the excellence of its music. Miss Thomas
was one, the other John recognized as Ten Eyck. She did not seem to
see them, but the two walked rapidly ahead of them the length of the
block, and then turned down a side street. Vane pretended to be wholly
unconscious of the scene. John alone gave a grunt of surprise. And for
two weeks or more Vane treated Miss Thomas with alternate neglect and
familiarity when he met her in society; the former when he found it
possible to avoid her, the latter when he was necessarily thrown with
her. One night at a german she gave him a favor. Vane, after dancing
with her, felt obliged, in common politeness, to talk with her for a
few moments. He sought refuge in that sort of clumsy pleasantry which
our English models have taught us to call chaff; she said nothing, but
looked at him wonderingly, with large troubled eyes. She seemed as if
grieved at his manner and too proud to reproach him with it. Could she
really love the man? thought Vane. How could she? He felt as if the
suspicion did her an injury. Vane's heart melted to her as he came
home that night. He had mentally judged her as he would have judged a
woman in one of his cynical French comedies. He had treated her like
a character in a seventeenth century memoir. And how much above such
judgment was this sweet American girl! She was fond of her friends, and
true to them, and frank to him, so that he saw that she cared for him.
What did she know of the world, or of older societies, or the women in
his wicked French memoirs? She lived in new, pure, honest America; not
in the chronicles of the _Œil-de-bœuf_. And Vane felt that the best
amends he could make was to ask her to become his wife. When he hinted
this intention to Haviland that philosopher, for the first and only
time in his life, improvised a couplet:
"Jamais la femme ne varie,
Bien fol est toujours qui s'y fie."
Having got off this gâtha, John retired to his pipe, and became, like a
Hindoo god, impassive, ugly, and impenetrable.
X.
Public-domain text, read in full here on John Shaqi.
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