The Crimes of EnglandChesterton, G. K. (Gilbert Keith)
History
The Crimes of England
Chesterton, G. K. (Gilbert Keith)
Germany -- Relations -- Great Britain; Great Britain -- Relations -- Germany; Irish question; World War, 1914-1918
But though Teutonism is indefinable, or at least is by the Teutons
undefined, it is not unreal. A vague but genuine soul does possess all
peoples who boast of Teutonism; and has possessed ourselves, in so far
as we have been touched by that folly. Not a race, but rather a
religion, the thing exists; and in 1870 its sun was at noon. We can most
briefly describe it under three heads.
The victory of the German arms meant before Leipzic, and means now, the
overthrow of a certain idea. That idea is the idea of the Citizen. This
is true in a quite abstract and courteous sense; and is not meant as a
loose charge of oppression. Its truth is quite compatible with a view
that the Germans are better governed than the French. In many ways the
Germans are very well governed. But they might be governed ten thousand
times better than they are, or than anybody ever can be, and still be
as far as ever from governing. The idea of the Citizen is that his
individual human nature shall be constantly and creatively active in
_altering_ the State. The Germans are right in regarding the idea as
dangerously revolutionary. Every Citizen _is_ a revolution. That is, he
destroys, devours and adapts his environment to the extent of his own
thought and conscience. This is what separates the human social effort
from the non-human; the bee creates the honey-comb, but he does not
criticise it. The German ruler really does feed and train the German as
carefully as a gardener waters a flower. But if the flower suddenly
began to water the gardener, he would be much surprised. So in Germany
the people really are educated; but in France the people educates. The
French not only make up the State, but make the State; not only make it,
but remake it. In Germany the ruler is the artist, always painting the
happy German like a portrait; in France the Frenchman is the artist,
always painting and repainting France like a house. No state of social
good that does not mean the Citizen _choosing_ good, as well as getting
it, has the idea of the Citizen at all. To say the Germanies are
naturally at war with this idea is merely to respect them and take them
seriously: otherwise their war on the French Revolution would be only an
ignorant feud. It is this, to them, risky and fanciful notion of the
critical and creative Citizen, which in 1870 lay prostrate under United
Germany--under the undivided hoof.
Public-domain text, read in full here on John Shaqi.
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