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THE CRIMSON BLIND
By FRED. M. WHITE
1905
CONTENTS
CHAPTER
I. "WHO SPEAKS?"
II. THE CRIMSON BLIND
III. THE VOICE IN THE DARKNESS
IV. IN EXTREMIS
V. "RECEIVED WITH THANKS"
VI. A POLICY OF SILENCE
VII. No. 218, BRUNSWICK SQUARE
VIII. HATHERLY BELL
IX. THE BROKEN FIGURE
X. THE HOUSE OF THE SILENT SORROW
XI. AFTER REMBRANDT
XII. "THE CRIMSON BLIND"
XIII. "GOOD DOG!"
XIV. BEHIND THE BLIND
XV. A MEDICAL OPINION
XVI. MARGARET SEES A GHOST
XVII. THE PACE SLACKENS
XVIII. A COMMON ENEMY
XIX. ROLLO SHOWS HIS TEETH
XX. FRANK LITTIMER
XXI. A FIND
XXII. "THE LIGHT THAT FAILED"
XXIII. INDISCRETION
XXIV. ENID LEARNS SOMETHING
XXV. LITTIMER CASTLE
XXIV. AN UNEXPECTED GUEST
XXVII. SLIGHTLY FARCICAL
XXVIII. A SQUIRE OF DAMES
XXIX. THE MAN WITH THE THUMB AGAIN
XXX. GONE!
XXXI. BELL ARRIVES
XXXII. HOW THE SCHEME WORKED OUT
XXXIII. THE FRAME OF THE PICTURE
XXXIV. THE PUZZLING OF HENSON
XXXV. CHRIS HAS AN IDEA
XXXVL. A BRILLIANT IDEA
XXXVII. ANOTHER TELEPHONIC MESSAGE
XXXVIII. A LITTLE FICTION
XXXIX. THE FASCINATION OF JAMES MERRITT
XL. A USEFUL DISCOVERY
XLI. A DELICATE ERRAND
XLII. PRINCE RUPERT'S RING
XLIII. NEARING THE TRUTH
XLIV. ENID SPEAKS
XLV. ON THE TRAIL
XLVI. LITTIMER'S EYES ARE OPENED
XLVII. THE TRACK BROADENS
XLVIII. WHERE IS RAWLINS?
XLIX. A CHEVALIER OF FORTUNE
L. RAWLINS IS CANDID
LI. HERITAGE IS WILLING
LII. PUTTING THE LIGHT OUT
LIII. UNSEALED LIPS
LIV. WHERE IS THE RING?
LV. KICKED OUT
LVI. WHITE FANGS
LVII. HIDE AND SEEK
THE CRIMSON BLIND.
CHAPTER I
"WHO SPEAKS?"
David Steel dropped his eyes from the mirror and shuddered as a man who
sees his own soul bared for the first time. And yet the mirror was in
itself a thing of artistic beauty--engraved Florentine glass in a frame
of deep old Flemish oak. The novelist had purchased it in Bruges, and now
it stood as a joy and a thing of beauty against the full red wall over
the fireplace. And Steel had glanced at himself therein and seen murder
in his eyes.
He dropped into a chair with a groan for his own helplessness. Men have
done that kind of thing before when the cartridges are all gone and the
bayonets are twisted and broken and the brown waves of the foe come
snarling over the breastworks. And then they die doggedly with the stones
in their hands, and cursing the tardy supports that brought this black
shame upon them.
Public-domain text, read in full here on John Shaqi.
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