"Small study and the window open, miss," he whispered. "There's some game
on--oh, yes, there is some blessed game on again to-night. And him so
anxious to know how Miss Christiana is. Says she ought to call him in
professionally. Personally I'd rather call in an undertaker who was
desperately hard up for a job."
"All right, Williams," Enid replied. "My sister is worse to-night. And
unless she gets better I shall insist upon her seeing a doctor. And I am
obliged for the hint about Mr. Henson. The little study commands the
staircase leading to my sister's bedroom."
"And the open window commands the garden," Williams said, drily.
"Yes, yes. Now go. You are a real friend, Williams, and I will never
forget your goodness. Run along--I can actually _feel_ that man coming."
As a matter of fact, Henson was approaching noiselessly. Despite his
great bulk he had the clean, dainty step of a cat; his big, rolling ears
were those of a hare. Henson was always listening. He would have listened
behind a kitchen door to a pair of chattering scullery-maids. He liked to
find other people out, though as yet he had not been found out himself.
He stood before the world as a social missioner; he made speeches at
religious gatherings and affected the women to tears. He was known to
devote a considerable fortune to doing good; he had been asked to stand
for Parliament, where his real ambition lay. Gilead Gates had alluded to
Reginald Henson as his right-hand man.
He crept along to the study, where the lamps were lighted and the silver
claret-jug set out. He carefully dusted a big arm-chair and began to
smoke, having first carefully extinguished the lamps and seen that the
window leading to the garden was wide open. Henson was watching for
something. In his feline nature he had the full gift of feline patience.
To serve his own ends he would have sat there watching all night if
necessary. He heard an occasional whimper, a howl from one of the dogs;
he heard Enid's voice singing in the drawing-room. The rest of the house
was quite funereal enough for him.
In the midst of the drawing-room Margaret Henson sat still as a statue.
The distant, weary expression never left her eyes for a moment. As the
stable clock, the only one going on the premises, struck ten, Enid
crossed over from the piano to her aunt's side. There was an eager look
on her face, her eyes were gleaming like frosty stars.
"Aunt," she whispered; "dear, I have had a message!"
"Message of woe and desolation," Margaret Henson cried. "Tribulation and
sorrow on this wretched house. For seven long years the hand of the Lord
has lain heavily upon us."
She spoke like one who was far away from her surroundings. And yet no
one could look in her eyes and say that she was mad. It was a proud,
passionate spirit, crushed down by some bitter humiliation. Enid's
eyes flashed.
"That scoundrel has been robbing you again," she said.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account