The Crimson Conquest: A Romance of Pizarro and PeruHudson, Charles B. (Charles Bradford)
History
The Crimson Conquest: A Romance of Pizarro and Peru
Hudson, Charles B. (Charles Bradford)
Peru -- History -- Conquest, 1522-1548 -- Fiction
In the rear of the apartment, beneath a canopy resplendent with
embroidery and featherwork, was a dais of serpentine on which stood the
Inca’s seat, a low stool of solid gold, richly chased and jewelled.
Back of this, against the wall, was the imperial standard, on whose
folds blazed and sparkled in embroidery and precious stones a rainbow,
the insigne of the Incas.
The room was nearly bare of furniture, but its marble floor was softened
by richly dyed rugs and the skins of animals. In a word, in this
country villa of the ruler of an empire of the farthest West was a
wealth of decoration that would have dimmed the splendor of the palace
of a maharajah.
Presently, a door in the rear swung open, and a silence fell as a
grizzled veteran in the splendid uniform of a general of the Quitoan
troops entered and raised his hand. He was followed by two officers of
the Incarial Guard, who halted and took post at each side of the
doorway. A breathless moment, then came the Inca Atahualpa, attended by
his personal staff. The nobles went upon their knees, bending until
their foreheads touched the floor, and so remained until the monarch,
moving with brisk, soldierly pace, had gained the dais, where he turned
with a brief command that they arise.
Atahualpa was then close to his thirtieth year. His countenance was one
which would have been striking among men of any race. He had the
warrior-face of the American aborigine—the aquiline nose, the high
cheekbones and firm jaw and mouth, the calm pride and dignity of
expression—but refined by generations of Inca culture. It was the face
of a fighter, and a slumbering ferocity was perhaps lurking in the dark
and somewhat bloodshot eyes; but it was also an intellectual one,
clear-cut in line and contour, and backed by a well-formed head,
handsomely poised. His complexion, of the usual bronze of the Indian,
was yet not more swarthy than that of many Spaniards. His black hair was
closely trimmed, and on his head was the royal diadem, the _llauta_, a
thick cord or band of crimson, wound several times around, with a
pendant fringe covering his forehead to his brows from temple to temple.
Set closely in the _llauta_ above the fringe, diverging as they rose,
were two small white feathers, each with a single spot of black. These
were taken from the wings of the _coraquenque_, a rare bird sacred to
the Incas. He was simply clad in deep red, the royal color. His tunic
was quite devoid of decoration, but the cloak thrown over his shoulders
glittered with embroidery and scales of gold, and besides his heavy
ear-ornaments he wore at his throat a collar of emeralds worth an
emperor’s ransom.
Public-domain text, read in full here on John Shaqi.
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