On the plain the tent-pitching is given over, the column has regained the causeway, and is again approaching the town. In front are a multitude of sweepers, clearing the way of every pebble, fallen leaf, or twig, singing as they work. In their rear are a hundred drummers beating, in a strange cadence, long-bodied drums of varied size and pitch of tone. Following these, the imperial band of five hundred musicians, gorgeously liveried and resplendent with trappings of burnished metal, playing on trumpets, pipes, and stringed instruments of divers forms, the wild but not unmusical march sung by the sweepers. Then, at an interval, follow a thousand nobles in white tunics, bearing small mallets or hammers of copper and silver. Another interval, and a second body of nobles of higher rank, in tunics of checkered white and red, ablaze with ornaments of gold. Now, two battalions of the splendid warriors in the blue of the Incarial Guard, but without arms. Between them, and guarded by a platoon of nobles, floats the standard of the Inca. Immediately after the detachment of the guard, seated upon an open litter, or sedan, borne on the shoulders of half a score of nobles of the highest rank, and surrounded by his attendants, counsellors, and priests, is Atahualpa, a most imperial and commanding figure, as we have seen. In the rear, follows a great column of guards and nobles no less splendid than those of the van. Treasure enough here, Pizarro, to whet the greed and nerve the arms of your ravening, plunder-hungry companions, could they but behold it from their concealment! Let us see. Twenty-five thousand ducats in the seat on which the Inca sits. Thousands more in the decorations of the sedan. Thousands more in the gem-encrusted standard, and every noble in the train wearing a small fortune on his person. Such a display never before met the eyes or brightened the dreams of your Spaniards, whom the _chasqui_ has reported, not without truth, as huddled, panic-stricken, in some of the buildings of the town.