In this the poet says all, while, on another page, the man of science,
with firm integrity, minimizes evidence and refuses to be convinced.
There is a region where the poet knows almost everything worth
knowing. There is a region where the man of science knows, not
everything worth knowing, but all that is known. There is a misty
mid-region where a full-minded, large-hearted man can live happily. He
gets the message going and coming. He receives what the poet has to
say and what the man of fact has to say and he constructs his world
from the fragmentary contributions of both regions. Maeterlinck
himself in "Our Eternity," dwells on this central ground. Shakespeare
and Isaiah are on his right hand. On his left hand are William James
and other psychological students of the evidence of spooks.
Poets are enamored of death. Nine-tenths of all the imaginative
literature of the world is concerned with love and death, the begetter
and the extinguisher. The sweetest lines in Shakespeare deal with
love; the stateliest lines, Hamlet's and Macbeth's, are upon death.
The chief interest of life is in dying. We get our highest emotions
from some other person's death, and we adapt our entire course, from
the cradle to the grave, with a view to the fact that we are going to
quit in some year determined by fate or God or other power not quite
understood, a year carefully figured out by the actuaries of the life
insurance companies.
Man is a perfect coward in the face of death, his own or that of
somebody he loves. The believer and the unbeliever alike bewail the
great adventure. The tears shed by the believer in immortality and by
the disbeliever are the same hot, saline, human drops. Everybody wants
an answer, and only the adherents of certain sects receive an answer
that satisfies them. Those answers do not satisfy me or you, not
because there is anything wrong in the answers, but because the people
that hold the answers behave as all the rest of us do in the presence
of death. Maeterlinck, on the basis of modern evidence, argues for
two-hundred and fifty-eight pages that we do not know what happens
when we die. "In any case, I would not wish my worst enemy, were his
understanding a thousand-fold loftier and a thousand-fold mightier
than mine, to be condemned eternally to inhabit a world of which he
had surprised an essential secret and of which, as a man, he had begun
to grasp an atom."
Public-domain text, read in full here on John Shaqi.
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