After what has been proved in our deduction of the categories, no one, it is to be hoped, can hesitate as to the proper decision of the question, whether the employment of these pure conceptions of the understanding ought to be merely empirical or also transcendental; in other words, whether the categories, as conditions of a possible experience, relate à priori solely to phenomena, or whether, as conditions of the possibility of things in general, their application can be extended to objects as things in themselves. For we have there seen that conceptions are quite impossible, and utterly without signification, unless either to them, or at least to the elements of which they consist, an object be given; and that, consequently, they cannot possibly apply to objects as things in themselves without regard to the question whether and how these may be given to us; and, further, that the only manner in which objects can be given to us is by means of the modification of our sensibility; and, finally, that pure à priori conceptions, in addition to the function of the understanding in the category, must contain à priori formal conditions of sensibility (of the internal sense, namely), which again contain the general condition under which alone the category can be applied to any object. This formal and pure condition of sensibility, to which the conception of the understanding is restricted in its employment, we shall name the schema of the conception of the understanding, and the procedure of the understanding with these schemata we shall call the schematism of the pure understanding. The schema is, in itself, always a mere product of the imagination. But, as the synthesis of imagination has for its aim no single intuition, but merely unity in the determination of sensibility, the schema is clearly distinguishable from the image. Thus, if I place five points one after another.... this is an image of the number five. On the other hand, if I only think a number in general, which may be either five or a hundred, this thought is rather the representation of a method of representing in an image a sum (e.g., a thousand) in conformity with a conception, than the image itself, an image which I should find some little difficulty in reviewing, and comparing with the conception. Now this representation of a general procedure of the imagination to present its image to a conception, I call the schema of this conception.