"And now for another matter which involves a girl, Eloise Smith. Who is
she, you ask? Well, she is neither high born, I fancy, nor city bred;
nor much like the girls from Wellesley and Lasell, with whom we used to
flirt. She is a country school-ma'am, and is to be graduated this month
in the Normal School in Mayville, where you are visiting. What is she to
me? Nothing, except this: She has haunted me ever since I heard of her,
and I can't get rid of an idea that in some way she is to influence my
life. You know I was always given to presentiments and vagaries, and she
is the last one. I might not have thought much of her if my uncle were
not in a great way on her account. Long ago when they changed the name
of the town from Troutburg to Crompton in his honor, he built a
school-house on his premises, and gave it to the town. Since then he has
felt that he had a right to control it, and say who should teach, and
who shouldn't. For a long time the people humored him, and made him
school inspector, whose business it was to examine the teachers with
regard to their qualifications. With his old time notions, he had some
very old-time questions, which with others, he always propounded. As a
test of scholarship they were ridiculous; but he was Col. Crompton, and
the people shrugged their shoulders and laughed at what they called the
Crompton formula. Here are a few of the questions: First, What is logic?
Second, Why does the wind usually stop blowing when the sun goes down? I
don't know; do you? and we are both Harvarders. The third introduces a
man in old Colburn's Arithmetic, driving his sheep or geese to market.
The fourth is a scorcher, and has to do with the diameter of a
grindstone, after a certain number of inches have been ground from it.
Then comes what I call the _pièce de résistance_, but which my uncle
called 'killing two birds with one stone.' He has a fad on writing and
spelling, and required his victims to put on paper the following:
"'Mr. Wright has a right To write the rites of the church.'
Public-domain text, read in full here on John Shaqi.
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