The Cross and the Shamrock: Or, How To Defend The Faith. An Irish-American Catholic Tale Of Real Life, Descriptive Of The Temptations, Sufferings, Trials, And Triumphs Of The Children Of St. Patrick In The Great Republic Of Washington. A Book For The Entertainment And Special Instructions Of The Catholic Male And Female Servants Of The United States.Quigley, Hugh
Religion
The Cross and the Shamrock: Or, How To Defend The Faith. An Irish-American Catholic Tale Of Real Life, Descriptive Of The Temptations, Sufferings, Trials, And Triumphs Of The Children Of St. Patrick In The Great Republic Of Washington. A Book For The Entertainment And Special Instructions Of The Catholic Male And Female Servants Of The United States.
Quigley, Hugh
Catholics -- United States -- Fiction; Irish Americans -- Fiction
Years rolled on, and the dear child lived in blissful ignorance of her
origin and desolate condition, till the jealousy of her younger sisters
excited her suspicions, and she began to mistrust the genuineness, as
she felt the coldness, of that parental affection which the pretended
authors of her existence so long counterfeited. During many months, if
not years, these suspicions preyed on the poor girl's mind; and though
she never dared to mention them to any save old Judy, the negro woman,
she felt satisfied that her sisters and herself could not belong to the
same stock or the same race. The transparent delicacy of her complexion,
the rosy tint on her cheek, unrivalled by the costly paint of her
sisters, the shining blackness of her splendid hair,--all these
circumstances pointed her out and proclaimed her as of a different race
to those whom she hitherto regarded as her kindred. Long had she mused
on the cause of this disparity, and much had she suffered, in the depth
of her soul, from the representations and suggestions of her active
imagination in reference to her origin, and many were the tears shed by
her while oppressed with these doubts. But the events of this day, added
to the late insolent conduct of her sisters, which provoked the
reprimand of her peevish mother guardian, who told her to curb her
"Irish temper,"--these cleared up all her doubts; and, filled with a
melancholy joy at a revelation she owed to the jealousy and vanity of a
proud mother and her daughters, Alia retired to her room to give vent to
her feelings in sobs and tears.
"Thank God," she cried, "I know what I am, or ought to be. Thank God I
am Irish, too, for I often wished I belonged to that much-abused and
persecuted people. But O, where shall I find my parents? or how came my
lot to be cast in this proud palace, which, alas! I too long regarded as
my home? O, who, who will restore this poor 'exile of Erin,' to the home
of her unknown parents? How gladly would I exchange all the splendor of
this place for the homeliest cot in that land of the shamrock and the
cross; ay, the poorest 'cabin, fast by the wild-wood,' in the land of
St. Patrick, and my unknown ancestors."
Such were the soliloquies of poor, despised Alia, in her room on the
third floor, where old aunt Judy, the negro, having missed her favorite
from the grand company, after having sought her in vain in the lower
saloons of the house, just entered her room.
"Dere, now, Miss Ali', am poor aunt Judy half kilt from sarching for you
all over. What make you be here, and all the gran' gem'men asking for
you?"
"Ah, aunt Judy, why have you all along denied of me all knowledge of my
extraction, parentage, and race? Did you not know that I was Irish? and
yet you always denied that I was, though I have suspected I was, and you
must have known it, having lived so long in the family. This is not what
I expected from you, aunt Judy," she said, casting a look of gentle
reproach at the old negro.
Public-domain text, read in full here on John Shaqi.
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