The Cross and the Shamrock: Or, How To Defend The Faith. An Irish-American Catholic Tale Of Real Life, Descriptive Of The Temptations, Sufferings, Trials, And Triumphs Of The Children Of St. Patrick In The Great Republic Of Washington. A Book For The Entertainment And Special Instructions Of The Catholic Male And Female Servants Of The United States. — John Shaqi
The Cross and the Shamrock: Or, How To Defend The Faith. An Irish-American Catholic Tale Of Real Life, Descriptive Of The Temptations, Sufferings, Trials, And Triumphs Of The Children Of St. Patrick In The Great Republic Of Washington. A Book For The Entertainment And Special Instructions Of The Catholic Male And Female Servants Of The United States.Quigley, Hugh
Religion
The Cross and the Shamrock: Or, How To Defend The Faith. An Irish-American Catholic Tale Of Real Life, Descriptive Of The Temptations, Sufferings, Trials, And Triumphs Of The Children Of St. Patrick In The Great Republic Of Washington. A Book For The Entertainment And Special Instructions Of The Catholic Male And Female Servants Of The United States.
Quigley, Hugh
Catholics -- United States -- Fiction; Irish Americans -- Fiction
"I tell you that there are no game laws, or only very nominal ones; so
that, when you come back, if you and your dog traverse yonder mountain
from top to bottom, you need not be afraid of the rifle of the
gamekeeper, or of a sentence to a free passage to Van Diemen's Land."
"Murther! Must not they be very fine gentlemen here, to be so liberal?
Signs by I shall, please God, one of these days, visit that old, grand
mountain with the white head; and if there be a hare's form in his rough
sides or his curly beard, I will ferret it out, and soon have pussy by
the hind legs."
"I can see, Murty, you are growing poetical in your description of old
Mount Antoine," said the priest.
"Your reverence, did you ever see such a grand sight? I can't help
comparing that grand mountain there to the king of yon wild regions. The
snow on the trees, on the summit, causes them to look like gray locks;
and, looking down on the smaller mountains on every side, they appear
like his subjects or his sons, which, in time, are to grow big like
himself, affording shelter and refuge from the snares of the hunter to
the wild animals of nature. O, how I like America!" said he, his
enthusiasm still rising.
"That's right, Murty; I am glad you do like it. Wait till summer or
autumn, and then how beautiful these bleak hills will appear during
these delightful seasons!"
"O sir, it is a great, grand country! No tyrants, no landlords, no
poverty."
"No poverty, Murty, except what is purely accidental, or brought on by
the improvidence of individuals. In the very best regulated society
there must, of necessity, be poverty less or more," said the priest, by
way of qualification.
"Every thing is free, and there is liberty for all. The very fences, you
see, sir, unlike our stone walls at home, give liberty to the winds and
storms to blow through them. The mountains are free to the huntsman; the
very snow is free to blow and form itself into those beautiful banks,
and little mountains, and castles, and stacks, and curtains, and drapery
that we see on every side of us as we glide along."
The priest listened with astonishment.
"Was there ever seen any thing so _purty_," continued the peasant, "as
those ridges and mounds of snow? I have seen the grandest buildings in
Ireland,--Marlborough Street Church, in Dublin, the stone carving and
ceiling in Cashel of the Kings, the stucco work on the old Parliament
House in College Green,--but I think I see work in these fantastic snow
banks that beats them all hollow. And--glory be to God!--all this
beauty, so dazzling, so chaste, was created by a storm, when all nature
was in a rage, and men shut themselves up in houses from its violence! I
am glad now," said he, "our landlord turned us out. I now forgive him
for being the cause of our coming to this country of the brave and the
free."
"Was it a landlord who has been the occasion of so much enjoyment to
you, Murty?" said Father O'Shane, drawing him out.
Public-domain text, read in full here on John Shaqi.
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