The Cross in Ritual, Architecture and ArtTyack, Geo. S. (George Smith)
History
The Cross in Ritual, Architecture and Art
Tyack, Geo. S. (George Smith)
Crosses
From the point of view of the mental elevation of the people, also, the
loss of so many treasures of art cannot be too deeply regretted, nor their
rebuilding, if rebuilt in the old spirit, too greatly desired. We are but
just awakening to the realization of the fact that Art is not an amusement
for the rich, but an educating, elevating, spiritualizing power for all.
We may rejoice in the wealth of our manufacturing cities, in the vast
output of our foundries and our coalpits; but a factory, too hideous in
its blank, bald, monotony of bareness for use as a prison amongst men with
eyes and hearts, does not compensate for the loss of an abbey, whose every
arch, and gable, and "storied window," raises the soul to thoughts of the
pure and the true; nor can a foundry chimney, even though its veil of
poisonous smoke represent a fortune working out beneath, be accepted in
exchange for the graceful, tapering cross, the very sight of which, in its
calm still beauty, would cheer the dweller in our modern towns like the
glimpse of an oasis in a desert.
In our schools of all grades some elementary instruction in art forms is
now considered a necessity, and something is being done for "children of a
larger growth" by opening to them, at times when the masses can use them,
the treasures of our museums and picture galleries; how largely would
these attempts at popular instruction have been aided if the people had
ever before their eyes the graceful forms that ignorance, carelessness,
and bigotry have combined to rob us of! And what an influence might not
the continued presence of such examples among us have had upon the
building of our towns.
It is at least significant that in the days when these types of art were
common in the land, even domestic architecture showed a certain
harmoniousness of outline; the gabled roof, the timbered front, the
quaintly designed chimney, formed a setting not unbecoming the jewel in
our mediæval market-places, and our village streets. It is only since so
many different instances of our forefathers' taste and skill, fair copies
each and all for their successors, have been taken from us, that we have
learnt to build our towns in a horrid monotony of dullness.
Public-domain text, read in full here on John Shaqi.
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