The Cross in Ritual, Architecture and ArtTyack, Geo. S. (George Smith)
History
The Cross in Ritual, Architecture and Art
Tyack, Geo. S. (George Smith)
Crosses
Ruskin, in words of biting force, has defined a town of to-day as "the
modern aggregate of bad building, and ill-living held in check by
constables, which we call a town, of which the widest streets are devoted
by consent to the encouragement of vice, and the narrow ones to the
concealment of misery." May we not hope that the wish now so obvious among
us to rebuilt so far as may be, those glorious piles which are instinct
with "the beauty of holiness," is a proof that we are beginning to realize
both the squalor and the sin of this condition of things? So far we have
seen, it may be, but the little cloud no larger than a man's hand; may it
be indeed the earnest of that refreshing rain for which the land has
panted, a reviving influence which shall make English art once more the
expression of a sincere and devoted faith.
CHAPTER VIII.
Conclusion.
In our rapid review of the various uses to which the sacred figure of the
cross has been put, we have been considering the most widely-spread
illustration of a tendency of the human mind, namely, the universal love
of emblems. This trait in man's character, a strange one, perhaps, but a
very powerful one, has been forgotten or ignored by the iconoclast and the
Puritan, and it is owing to this characteristic that they have never been
able to obtain more than a transient victory.
Scarce anything which moves the heart of man, rouses his enthusiasm, or
binds him more closely to his fellows, but he has commonly represented it
by a symbol.
Amongst the earliest of such influences was the family or tribal bond
carrying us back to days of patriarchal simplicity. In the last blessing
bestowed by Jacob upon his sons, we find the earliest allusion to the
_family emblem_, in the lion of Judah, the serpent of Dan, the hind of
Naphtali, Joseph's "fruitful bough," and the other symbols of the twelve
ancestors of the chosen race. A striking parallel to this catalogue, in
the _totems_ of the North American Indians, will occur to almost everyone.
But, indeed, the custom of selecting some natural object to denote the
idea of the family was well-nigh universal. The inhabitants of the East
Indies are as familiar with the spirit of totemism as their brethren of
the west. In Africa, the Hottentot, the Bechuana, and others distinguish
their tribes by the figure of some animal; in far off China the flowers
serve the same purpose, and in Australia the same practice obtains under
the name of _Kobong_. Not to multiply examples, we may refer only to the
ancient Greek tribes as affording another instance, and suggest the
parallel supplied by the crests used in mediæval and modern heraldry.
The adoption of national symbols was but the inevitable extension of these
practices, consequent on the nation, and not the tribe, coming to be
recognized as the political unit; and thus we get the Roman Eagle, the
White Horse of the Saxons, the Black Raven of the Danes, and the countless
national emblems of more modern times.
Public-domain text, read in full here on John Shaqi.
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