The Cross in Ritual, Architecture and ArtTyack, Geo. S. (George Smith)
History
The Cross in Ritual, Architecture and Art
Tyack, Geo. S. (George Smith)
Crosses
A few years later, in 1192, we hear of the Cross as still in Saladin's
possession, and as shewn by his permission to some favoured pilgrims,
among whom was the Bishop of Salisbury, and then it disappears from
history; the sacred wood that thousands had braved the perils of seas and
Alpine passes to gaze upon, that myriads had gladly died to protect,
vanished from the eyes of men, whither none can say.
Nothing now remains of the most highly-prized relic which the world has
ever held, except numerous fragments of the wood preserved in cathedrals
and elsewhere throughout Europe, some score or more of nails purporting to
be those which fixed the hands and feet of the Lord, and the board with
its trilingual inscription. The sneer that there is enough wood of the
true Cross to build a man-of-war has become a common-place, but it proves
only the ignorance of those who repeat it; the fragments being all of the
smallest dimensions, few as large as a pin, many no larger than a pin's
head. The nails were probably most of them made as copies of the
originals, and in course of time have come to be regarded as genuine. The
famous iron crown of Lombardy has been said to enshrine a holy nail, but
the claim is no older than the sixteenth century. The inscription is in
the church of Santa Croce at Rome, and the question of its genuineness
stands exactly on a level with that of the Cross itself: whether or no it
be the veritable board which hung above the head of the Crucified, there
can be little doubt that it is the one unearthed by S. Helena more than
fifteen hundred years ago.
It is from the period of the Crusades especially that we must date the
wide-spread erection of crosses and use of cross-forms throughout Europe.
Worn as a badge or charm, worked in silk or chaced in metal, towering in
stone by the wayside or overshadowing the busy market, gleaming on
banners, or resplendent in jewels in the solemnity of the
Church,--everywhere the holy sign met the eye.
One use of the Christian emblem was directly due to Crusading influence.
The union in the expeditions against the infidels of knights of many lands
and different languages gave its origin, or at any rate its organized
form, to the science of heraldry; and the spirit which presided at its
birth is shown in the immense variety of crosses recognised in its
vocabulary. We have the Latin Cross, the ordinary cross of suffering; the
Greek Cross with its equal arms; the Cross of S. Andrew, or the saltire
(=X=); the Maltese, or eight-pointed cross; the Tau, or Egyptian Cross
(=T=); and others which a persistent ingenuity of invention has almost
endlessly varied.
Public-domain text, read in full here on John Shaqi.
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