India -- History -- British occupation, 1765-1947 -- Fiction; Invalids -- Fiction; Simla (India) -- Fiction
So it is a robin that has gone to housekeeping there in the close-cut
banksia. He is a devoted mate; he knows by heart, perhaps by
experience, how necessary it is to encourage, dull little wives on the
nest; and, neglectful of the hard-beating storm, he perches as near
her as may be and sends out every dulcet variation he can think of. To
the prisoner in the house it seems a supreme note of hope, this bird
singing in the rain.
CHAPTER XV
I find it desirable to sit more and more out in the rain. A little
stouter protection, a little more determination, and the cane chair
will soon weather anything. There are still tempestuous half-hours
which drive me as far as the verandah, but I am growing every day
more used to the steady beat and drip about my defences, and I now
know precisely the term of resistance of every umbrella in the house.
One after the other I put them to the proof; on a really wet day I
discourage three or four. An occasional pelting of my person does
not trouble me, I am very water-proof; but when drops descend upon
this fair page and confuse its sentiments I call loudly for another
umbrella. Constantly, no doubt, the cane chair under the conifer grows
a stranger spectacle; but my family have become accustomed to it and
there is no one else to see. The occasional rickshaw that passes along
the road above pays attention to nothing, but goes as fast as it can,
with the hood up, like a deranged beetle, and if any one rides past it
is with bent head and flying mackintosh. I have the world very much to
myself, most of the mountains when I can see them, and all the garden.
And it is full of rewards and satisfactions, this rainy world. The wind
that pushes the clouds up here blows over a thousand miles of sun and
sand and draws a balm from the desert to mingle with its cool dampness,
delicious to breathe, like a cooled drink to the lungs. It cannot be
tasted in the house because of the prevailing flavour of carpets and
curtains. Nor can anybody know, who has not sat out under it, the
delight of the slow termination of a shower, the spacing lines and the
sparser drop-dancers on the gravel, the jolly irregular drip from the
branches on your umbrella, the wraiths of mist skimming over the drive
and the feint thin veil slanting against the deodars into which it all
dissolves. So invariably we are careful to wait in the house “until
it is over,”--quite over. A pencil-cedar too, very wet, with a drop at
the end of every spine, and a soft gray light shining through it, is a
good thing to look up into. “As if it were candied,” as Thisbe politely
conceded, and departed at once into the house out of the damp.
Public-domain text, read in full here on John Shaqi.
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