England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Daniel's talk was animated, varied, full of cleverness and character.
No wonder if his hostess thought that she had never met so delightful a
man. Incidentally, in quite the permissible way, he made known that he
was a connoisseur of art; he spoke of his travels on the track of this
or that old master, of being consulted by directors of great Galleries,
by wealthy amateurs. He was gracefully anecdotic; he allowed one to
perceive a fine enthusiasm. And Piers listened quite as attentively as
Mrs. Hannaford, for he had no idea how Daniel made his living. The
kernel of truth in this fascinating representation was that Daniel
Otway, among other things, collected _bric-a-brac_ for a certain
dealer, and at times himself disposed of it to persons with more money
than knowledge or taste. At the age of thirty-eight this was the point
he had reached in a career which once promised brilliant things. In
whatever profession he had steadily pursued, Daniel would have come to
the front; but precisely that steady pursuit was the thing impossible
to him. His special weakness, originally amiable, had become an
enthralling vice; the soul of goodness in the man was corrupted, and
had turned poisonous.
The conversation was still unflagging when Olga and her cousin returned
from their day's ramble. Daniel was presented to them. Olga at once
noticed her mother's strange vivacity, and, sitting silent, closely
observed Mr. Otway. Irene, also, studied him with her keen eyes; not,
one would have guessed, with very satisfactory results. As time was
drawing on, Mrs. Hannaford presently asked Daniel if he could give them
the pleasure of staying to dine; and Daniel accepted without a moment's
hesitation. When the ladies retired to dress, he went up to Piers'
room, where a little dialogue of some importance passed between the
brothers.
"Have you heard anything about that matter I spoke of?" Daniel began by
asking, confidentially.
Public-domain text, read in full here on John Shaqi.
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