Love stories; Reformatories -- Fiction; Social classes -- Fiction; Young women -- Fiction
The girl moved toward the border of the lake and for a space stood
looking dreamily into its tranquil counterfeit of changing foliage and
September sky. To the miracle of their meeting was added the revelation
that even as he had filled her thoughts in the dark days, so had she
possessed his.
"Will you sit here?" he asked, again beside her. "I want to hear the
whole story--the story which began back among the other birches."
"It began farther back than there."
"Not for me."
"But it should. If you thought about me at all, you must have wondered
how I came to be in a refuge uniform."
"I wondered, yes; but I never really cared. I could see with my own
eyes what you were."
She searched his face with the skepticism which the world had taught,
then, with a swift intake of breath, looked believing away.
"We must begin at the beginning," she said.
She told him her story as she had told it to the dentist that hideous
night of explanations at the Lorna Doone, but where Paul's black
silence had stifled her, lamed her speech, made her almost doubt
herself, this listener's faith leaped before her words, bridged the
difficult places where she faltered, spread the cloak of chivalry in
the miry way. Yet, with all his sympathy, it hurt her, so senseless
always seemed the reckoning for her follies, so poignant were her
regrets, and once, when she began to speak of Stella and the riot, he
stopped her.
"Don't go on," he begged. "I see what it costs you."
"I'd rather you heard it all," she replied. "It's your due."
Nevertheless, she did not tell him all. She could speak of Stella,
of Amy, of young Meyer, of the floor-walker, but no word of Paul
passed her lips. She let Atwood infer that the stigma of the refuge
had driven her from Grimes's employ, as it had thrust her from the
department store. The whole chain of circumstances which the dentist's
name connoted had become suddenly as inexplicable to herself as to this
transcendent hero of a perfect day.
The sun was low when she made an end, and the long-drawn shadows of the
birches in the lake turned their thoughts again to that other sundown.
"You were a lonely little figure as I looked back," he said. "I took
that picture with me through the hills, and it remained my sharpest
memory. It was a sad memory, a mute reproach, like the poor things I
bought for you to wear."
"Then you did get them!" she cried, her dress instinct astir. "What
were they like?"
"I will show them to you some day."
"You've kept them? I must pay my debt."
He shook his head. "They're not for sale. You shall see them when you
come to my studio."
"You are an artist, too?"
"I paint," he replied simply. "When you are not busy with MacGregor,
you will find work with me. We'll arrange that among us. Old Mac little
dreams our secret."
"It is a secret?"
Public-domain text, read in full here on John Shaqi.
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