Love stories; Reformatories -- Fiction; Social classes -- Fiction; Young women -- Fiction
"With me, at any rate. I've never told. You see"--he looked away with a
sudden diffidence almost boyish; then back again with a temerity that
was boyish, too--"you see, I was jealous of my memories. I wanted to
keep them wholly to myself. Our meeting was--how shall I say it?--a
kind of idyl. And you--have you told?"
"Never."
"Was it partly for my reason?"
"Yes," she answered; "partly for your reason."
"But those clothes," he said, after a moment, "you'll smile when you
see them. I've tried many a time to imagine you wearing them, braving
the world as you planned so stoutly. Perhaps it would have been no
harder than the other way. Perhaps--but that's over with, thank heaven!
You've earned your freedom and have a brighter lot than a fugitive's
to face. I don't mean a model's life. That will be temporary. There's
something in you, something fine that only needs its chance. I can't
tell you how I know this any more than I can tell you what it is, but
I believe in it as I believe in my own existence. I know it's true, as
true as the fact that we stand here face to face."
By some necromancy of the mind he mirrored back her own vague hopes.
"But I am a woman," she said, eager for more.
"So much the better. You live in woman's day. But don't forget that you
have given me a part of it," he added, as she rose. "My own particular
solar day isn't ended yet. When we first met, you had me to luncheon,
or was it breakfast? I'm going to return the courtesy."
"But--"
"You couldn't be more appropriately dressed for a park restaurant," he
cut in, pursuing her glance. "They'll serve us under an arbor where the
wistaria blooms in May. We'll have to pretend about the wistaria, but
it ought to be easy. The great pretense has come true."
XX
She learned from MacGregor what Atwood's modest "I paint" signified.
"He is an illustrator who illustrates," he told her their first
day, while they worked. "I mean--left arm a trifle higher, please;
you've shifted the pose--I mean he gets into the skin of a writer's
characters, when they have any. If they're mere abstractions, he
creates blood, bones, and epidermis for them outright. Rarer thing
than you imagine, I dare say, in spite of the newspaper jokes. You can
count the men on one hand who do it here in New York, and to my mind
Craig deserves the index finger. He'd find a soul for a rag doll. But
I'm only telling you what any top-notch magazine you pick up says more
forcibly."
Jean cloaked her ignorance in silence and put her trust in MacGregor's
enthusiasm for further light. After an industrious interval it came.
"But that isn't all," he added, tilting back to study his canvas
through half-shut eyes. "The public doesn't know Atwood's true
_metier_. He's bigger than they think. I'll show you something in a
minute. It's time for rest."
Public-domain text, read in full here on John Shaqi.
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