The Cruise of the Kawa: Wanderings in the South SeasChappell, George S. (George Shepard)
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The Cruise of the Kawa: Wanderings in the South Seas
Chappell, George S. (George Shepard)
Burlesque (Literature); Oceania -- Fiction
We awoke many hours later. It was moonlight and we were lying in a
complicated knot in the exact center of our domicile. Unraveling
ourselves we tested our heads with gentle oscillations.
Suddenly, in the distance, we heard a sound which sent a chill thrill
running up and down our spines, the sound of singing, a faint far-off
chorus of the loveliest voices that ever fell on mortal ears. The tone
had that marvelous silver clang of the woodland thrush with yet a
deeper, human poignancy, a note of passionate longing and endearment,
shy but assertive, wild, but oh! so alluring. We chinned ourselves
expectantly on the edge of our floor and waited, panting.
"A serenade," whispered Swank, and Whinney shush-ed him savagely.
Through the forest glades we could see the choir approaching, the dusky
flash of brown bodies swaying, palpitating to the intoxicating rhythm
of the song. Slowly and with great dignity they entered the clearing
and stood, a score of slender creatures, in the full blaze of the moon,
their lithe-limbed bodies clad only in delicate mother-of-pearl
_rigolos_.
Thus standing, they again burst into the melody of their national
love-song. I transcribe the original words which for simple, primitive
beauty are without rival.
A-a-a-a-a-a-a-a-a
E-e-e-e-e-e-e-e-e
I-i-i-i-i-i-i-i-i
O-o-o-o-o-o-o-o-o
U-u-u-u-u-u-u-u-u
and sometimes
W-w-w-w-w-w-w-w-w
And
Y-y-y-y-y-y-y-y-y
The music is indescribable, I can only say that it is as beautiful as
the words.[Footnote: "The peculiarly liquid quality of Polynesian
phonetics is impossible for foreigners to acquire. Europeans who attempt
a mastery of these sounds invariably suffer from what etymologists
call metabelia, or vowel complaint."--_Prof. C.H. Towne, Nyack
University_.]
On the third encore they turned and slowly but surely filed out of the
clearing into the forest. Long after they had disappeared our eyes
still hung over the edge of our apartment and we could hear in our
memories the sweet refrain--
W-w-w-w-w-w-w-w-w
Y-y-y-y-y-y-y-y-y
As we lay there like men in a trance I saw a dull red glow on the
horizon and then, far off a rocket split the velvet night, burst into
stars and disappeared.
It was William Henry Thomas, aboard the Kawa--a signal of
distress! Poor goof! We had completely forgotten him.
I had a vague sense, shared, I think, by the others, that I ought to
worry a bit about him. But it was no use. One by one we lowered
ourselves into the pit of our arboreal home and drifted into delicious
languorous reveries, not of William Henry Thomas. We had other things
to think about.
CHAPTER IV
A few of our native companions. Filbertine diet. Physiological
observations. We make a tour of the island. A call on the ladies.
Baahaabaa gives a feast. The embarrassments of hospitality. An alcoholic
escape.
"We really must do something about William Henry Thomas," I said on
the day following our serenade.
Public-domain text, read in full here on John Shaqi.
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