The Cruise of the Kawa: Wanderings in the South SeasChappell, George S. (George Shepard)
General
The Cruise of the Kawa: Wanderings in the South Seas
Chappell, George S. (George Shepard)
Burlesque (Literature); Oceania -- Fiction
[Illustration Note: THE NEST OF A FATU-LIVA
This is without question the most extraordinary picture which has ever
been taken of any natural history subject. It corroborates in most
convincing manner the author's claim to the discovery of the wonderful
fatu-liva bird with its unique gift of laying square eggs. Here we see
the eggs themselves in all the beauty of their cubical form and quaint
marking; here we see the nest itself, made of delicately woven haro
and brought carefully from the tree's summit by its discoverer,
Babai-Alova-Babai. An extremely interesting feature of the picture is
the presence in the nest of lapa or signal-feather. By close
observation, Mr. Whinney, the scientist of the expedition, discovered
that whenever the mother-bird left the nest in search of food she
always decorated her home with one of her wing feathers which served
as a signal to her mate that she would return shortly, which she
invariably did. Skeptics have said that it would be impossible to lay
a square egg. To which the author is justly entitled to say: "The
camera never lies."]
At exactly ten, by the shadow of the mountain on the atoll, William
Henry Thomas stepped forth into the moonlight to face his ordeal--alone.
In the darkness we waited, Kippy clinging close to me. Then came a
sound at which I could but shudder. It was a giggle, the voice plainly
that of William Henry Thomas. This was followed by a hysterical sob
of laughter.
"The christening has begun," murmured Kippy.
You can not imagine anything more horrible. _Never_ before to my
knowledge had William Henry Thomas laughed. Now, wilder and yet more
wild rang his uncontrollable mirth, rising at times to demoniac screams,
anon sinking to convulsive chuckles. The worst of it was that it was
infectious.
Conscious though we were of the poor wretch's suffering, we could not
help joining his vocal expression of it, and thus we sat, in the
darkness, our peals of laughter bursting forth at every fresh paroxysm.
Tears of distress rolled down Swank's cheeks.
An hour later the vines parted and a recumbent form was borne gently
down the mountain; William Henry Thomas, that was, his new name wrapped
in soft leaves over which his wife sobbed in tender ecstasy.
On the day following a bolt fell from the blue.
Swank and I were spending the afternoon with Triplett on board the
Kawa where the captain was explaining the workings of various
home-made navigating instruments which he had manufactured.
"This here is a astrolabe," he said, "jackass quadrant, I call it."
He displayed a sort of rudimentary crossbow. "An' this here is a
perspective-glass, kind of a telescope, see? Made'er bamboo. The
lenses ain't very good; had to use fish-skin. Got my compass-plant
nicely rooted in sand, see--she's doin' fine."
"What's this all for?" asked Swank.
Triplett smiled malevolently.
"Don't you want to know where you be? I've got it all figgered out.
Got a chart, too."
Public-domain text, read in full here on John Shaqi.
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