The Cruise of the Kawa: Wanderings in the South SeasChappell, George S. (George Shepard)
General
The Cruise of the Kawa: Wanderings in the South Seas
Chappell, George S. (George Shepard)
Burlesque (Literature); Oceania -- Fiction
The first Triplett was one of the companions of Goswold who, in 1609,
wintered on Cuttyhunk Island in Buzzard's Bay. From then on the members
of this hardy New England family have earned positions of trust and
honor. By courage and perseverance the subject of this portrait has
worked himself up from cabin boy on the sound steamer _Puritan_ (wrecked
on Bartlett's Reef, 1898) to his present position of commander of the
Kawa.
Of his important part in connection with the historic cruise described
in these pages, the Kawa's owner, Dr. Traprock, has no hesitancy in
saying, "Frankly, without Triplett the thing never could have been
done." The accompanying photograph was taken just after the captain
had been hauled out of the surf in Papeete. It will be remarked that
he still maintains an indomitable front and holds his trusty Colt in
readiness for immediate action.]
But sail! Lord bless you, how Triplett could sail! It was wizardry,
sheer wizardry; "devil-work," the natives used to call it. Triplett,
blindfolded, could find the inlet to a hermetically sealed atoll. When
there wasn't any inlet he would wait for a seventh wave--which is
always extra large--and take her over on the crest, disregarding the
ragged coral below. The Kawa was a tight little craft, built
for rough work. She stood up nobly under the punishment her skipper
gave her.
Triplett's assistant was an individual named William Henry Thomas, a
retired Connecticut farmer who had chosen to end his days at sea. This,
it should be remarked, is the reverse of the usual order. The back-lots
of Connecticut are peopled by retired sea-captains who have gone back
to the land, which accounts in large measure for the condition of
agriculture in these communities. William Henry Thomas had appeared
as Triplett's selection. Once aboard ship his land habits stood him
in good stead in his various duties as cook, foremost-hand, butler and
valet, for it must not be supposed that the Kawa, tight though
she might be, was without a jaunty style of her own.
Our first-class cabin passengers were three, Reginald K. Whinney,
scientific man, world wanderer, data-demon and a devil when roused;
Herman Swank, bohemian, artist, and vagabond, forever in search of new
sensations, and myself, Walter E. Traprock, of Derby, Connecticut,
editor, war correspondent, and author, jack-of-all-trades, mostly
literary and none lucrative.
Our object? What, indeed, but life itself!
I had known my companions for years. We had been class-mates at New
Haven when our fathers were working our way through college. How far
away it all seemed on that torrid Fourth of July as we sat on the
Kawa's deck singing "Oralee", to which we had taught Triplett the bass.
"Like a blackbird in the spring,
Chanting Ora-lee...."
"Very un-sanitary," said Whinney, "a blackbird ... in the spring ...
very un-sanitary."
We laughed feebly.
Public-domain text, read in full here on John Shaqi.
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