The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
Lanterns with reds and greens a-glisten wave the way and the
head-light glares,
The back-bent laborers glance and listen and out through the
night the tail-light flares--
Deep in the mills like a tipping cradle the huge converter
turns on its wheel
And sizzling spills in the ten-ton ladle a golden water of
molten steel.
Yet screwed with toil his low face searches shadow-edged fires
and whited pits,
Gripping his levers his body lurches, grappling his irons he
prods and hits,
And deaf with the roll and clangor and rattle with its sharp
escaping staccato of steam,
And blind with flame and worn with battle, into his tonnage he
turns his dream.
The world he has builded rises around us, our wonder-cities and
weaving rails,
Over his wires a marvel has found us, a glory rides in our
wheeled mails,
For the Earth grows small with strong Steel woven, and they
come together who plotted apart--
But he who has wrought this thing in his oven knows only toil
and the tired heart.
The Navvy[A]
[A] By permission of E. P. Dutton & Co.
(_From "Children of the Dead End"_)
BY PATRICK MACGILL
(See page 32)
At that time there were thousands of navvies working at
Kinlochleven waterworks. We spoke of waterworks, but only the
contractors knew what the work was intended for. We did not
know, and we did not care. We never asked questions concerning
the ultimate issue of our labors, and we were not supposed to
ask questions. If a man throws red muck over a wall today and
throws it back again tomorrow, what the devil is it to him if
he keeps throwing that same muck over the wall for the rest
of his life, knowing not why nor wherefore, provided he gets
paid sixpence an hour for his labor? There were so many tons
of earth to be lifted and thrown somewhere else; we lifted
them and threw them somewhere else; so many cubic yards of
iron-hard rocks to be blasted and carried away; we blasted and
carried them away, but never asked questions and never knew
what results we were laboring to bring about. We turned the
Highlands into a cinder-heap, and were as wise at the beginning
as at the end of the task. Only when we completed the job, and
returned to the town, did we learn from the newspapers that we
had been employed on the construction of the biggest aluminium
factory in the kingdom. All that we knew was that we had gutted
whole mountains and hills in the operations....
Above and over all, the mystery of the night and the desert
places hovered inscrutable and implacable. All around the
ancient mountains sat like brooding witches, dreaming on their
own story of which they knew neither the beginning nor the end.
Naked to the four winds of heaven and all the rains of the
world, they had stood there for countless ages in all their
sinister strength, undefied and unconquered, until man, with
puny hands and little tools of labor, came to break the spirit
of their ancient mightiness.
Public-domain text, read in full here on John Shaqi.
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