The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
The Butcher's Stall
(_From "Les Villes Tentaculaires:" The Octopus Cities_)
BY ÉMILE VERHAEREN
(Belgian poet, born 1855. When Maurice Maeterlinck was suggested as a
member of the French Academy, he recommended that the honor should be
conferred upon Verhaeren instead. Beginning his career as a decadent
and victim of disease, Verhaeren evolved into a rhapsodist of modern
civilization. No poet has ever approached him in the portrayal and
interpretation of factories, forges, railroads, and all the phenomena
of industrialism. Of late he has become an ardent Socialist. The poem
here quoted is from a book portraying the sins and agonies of great
cities. Only portions of the poem could be printed in a work intended
for general circulation in English; but even of these passages the
editor will venture the assertion that never before has the horror of
prostitution been so packed into human speech)
Hard by the docks, soon as the shadows fold
The dizzy mansion-fronts that soar aloft,
When eyes of lamps are burning soft,
The shy, dark quarter lights again its old
Allurement of red vice and gold.
Women, blocks of heaped, blown meat,
Stand on low thresholds down the narrow street,
Calling to every man that passes;
Behind them, at the end of corridors,
Shine fires, a curtain stirs
And gives a glimpse of masses
Of mad and naked flesh in looking-glasses.
Hard by the docks
The street upon the left is ended by
A tangle of high masts and shrouds that blocks
A sheet of sky;
Upon the right a net of grovelling alleys
Falls from the town--and here the black crowd rallies
And reels to rotten revelry.
It is the flabby, fulsome butcher's stall of luxury,
Time out of mind erected on the frontiers
Of the city and the sea.
Far-sailing melancholy mariners
Who, wet with spray, thru grey mists peer,
Cabin-boys cradled among the rigging, and they who steer
Hallucinated by the blue eyes of the vast sea-spaces,
All dream of it, evoke it when the evening falls;
Their raw desire to madness galls;
The wind's soft kisses hover on their faces;
The wave awakens rolling images of soft embraces;
And their two arms implore
Stretched in a frantic cry towards the shore.
And they of offices and shops, the city tribes,
Merchants precise, keen reckoners, haggard scribes,
Who sell their brains for hire, and tame their brows,
When the keys of desks are hanging on the wall,
Feel the same galling rut at even-fall,
And run like hunted dogs to the carouse.
Out of the depths of dusk come their dark flocks,
And in their hearts debauch so rudely shocks
Their ingrained greed and old accustomed care,
That they are racked and ruined by despair.
It is the flabby, fulsome butcher's stall of luxury,
Time out of mind erected on the frontiers
Of the city and the sea.
Public-domain text, read in full here on John Shaqi.
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