The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
While speaking, he had dropped off the outer rags, and a
moment after stood nude beside the tub of warm water. The
enormity of what he had suffered could not have been more
forcibly demonstrated. His limbs were horribly emaciated, the
knee, elbow, and shoulder bones stood out like huge knots
through the drawn and yellow skin, while his ribs reminded
me of the carcass of a sheep hanging in front of a butcher's
establishment. The hollows between them were deep and dark.
I thought of the picture I had seen of the famine-stricken
wretches of India....
"What are those scars on your back?" I asked as he sank onto
his knees in the water.
"Scars," he laughed, sardonically. "Scars? Those ain't scars.
They're only the marks where the devil prodded me. I was in the
jacket, cinched up so that I was breathing from my throat when
he came and tried to make me 'come through,' and when I sneered
at him he kicked me over the kidneys. I don't know how many
times he kicked; the first kick took my breath away and I saw
black, but after they took me out of the sack I couldn't get
up, and I had running sores down here for months afterwards.
I ain't right down there now; I've got a bad rupture, and
sometimes it feels as if there was a knife being twisted around
inside of me. It wouldn't be so bad if they'd got me right, but
to give a man a deal like that dead wrong is hell, let me tell
you...."
As we stepped into the barber shop there was a noticeable air
of expectancy. The word had passed through the prison that the
new warden had released "Ed" Morrell from "solitary." All but
one of the half dozen barbers were strangers to Morrell. They
had been committed to the prison after his siege of solitary
confinement had begun. The one exception was old Frank, a lifer
with twenty years' service behind him....
He took a step backward and a hush fell over the little group.
"With all due respect, Ed, you're the finest living picture of
Jesus Christ that I've ever seen, so help me God. And, Ed," he
added, hastily, his voice breaking, "we're all Jesus Christs,
if we'd only remember it."
Prisons
BY EMMA GOLDMAN
(Anarchist lecturer and writer; born in Russia, 1869)
Public-domain text, read in full here on John Shaqi.
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