United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
The Boardwalk was so crowded that Gita was forced to move at a far more
leisurely pace than her habit, and it seemed to her that in all that
vast throng there was but one expression: a composite expression of
vacant contentment. If they were subject to the common misfortunes and
cares of humanity, for the present they were unable to recall them.
Here and there she saw a woman fashionably dressed, but to what world
she belonged Gita did not hazard a guess. There were perhaps a hundred
tailor-made girls, as slim as laths, very trim, very conscious that they
were turned out by one of the autocrats of fashion. But the mass were
frankly tourists with no money to spend on anything but cheap imitations
of the prevailing styles. There were college boys arm in arm and walking
four abreast, and large carefully dressed males with roving predatory
eyes.
In the close monotonous procession of rolling chairs propelled up and
down the middle of the broad promenade by colored men or white
derelicts, were couples too fat and overfed to walk or too old and
tired. A few elderly ladies and gentlemen looked as if they may have
sauntered on the Walk in its heyday and still came for the ozone which
no change in fashion could alter.
Gita wondered what the façade of Atlantic City had looked like when
these devitalized relics were in their prime. Today hotels of varying
magnificence, with at least one triumph of modern architecture, were
connected by a flimsy chain of low-browed buildings: Japanese or Chinese
curio-shops; shops for linen, lingerie, sweaters and blouses;
candy-stores; shops devoted exclusively to salt-water taffy, “cut to fit
the mouth”; restaurants, motion-picture theaters, bookstores,
shoe-stores, milliners; displays of costumes unapproachable in elegance
and price; cigar stands, cheap rooming-houses, toy-stores, drug-stores,
auction-rooms, art-shops of highest and lowest quality; booths where
silhouettes were taken while you wait, stands for post-cards,
newspapers, magazines; jewelers; five-and-ten-cent stores. Interrupted
at set intervals by flights of steps or “inclines” leading down to the
avenues of Atlantic City. Opposite, reaching far out into the water, six
monstrous piers offering concerts, soft drinks, moving pictures,
tearooms, ballrooms, and long decks for chairs.
It was a scene both vulgar and splendid, extravagant and tawdry, mean
and aspiring. If a tidal wave washed away all but the hotels it would
have a certain stark magnificence, but the miles of pigmy shops gave it
the appearance of a chain of village Main Streets that made the great
hotels, not themselves, look alien.
Nevertheless the ensemble was gay and exhilarating. Above the
mass-murmur of voices rose the cry of the barkers and the deep surge of
the Atlantic. These slowly moving smiling crowds gave to the scene an
air of careless and unqualified leisure to be found nowhere else in the
world.
Public-domain text, read in full here on John Shaqi.
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