United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
Polly Pleyden and Elsie Brewster entered into her plans with enthusiasm
(neither Mrs. Pleyden nor Mr. Donald was consulted), and Bylant, who was
feeling somewhat exhausted after weeks of house-hunting and furnishing,
and speculating with alternate gloom and hope on his future, looked
forward to the occasion as one more ordeal to be endured. He should have
to submit to congratulations in company with Gita for the first time,
for she had attended no more dinners in Chelsea; and he had been able to
dodge felicitations himself for the most part, as his time had been
fully occupied in New York. Gita had gone to the Pleyden apartment for
several days every week (chaperoned by the aunt) and together they had
found a charming old red brick house with white trimmings in West
Twelfth Street. It had been renovated by its last owner, who had decided
to move uptown, and there was little for Bylant to do but send his own
things to the third story, and “stand round” while Gita, who rarely
asked his advice, chose rugs and furniture for the two lower floors.
Elsie, after she finished her book, undertook the prosaic commission of
furnishing the kitchen and the servants’ rooms in the extension.
Gita bought the narrowest brass bedstead she could find, as a contrast,
she gayly told Bylant, to her prevailing four-posters, and had her room
done up in yellow that it might the more surely reflect the sunlight
that streamed through the large southern windows. The chairs and
curtains were of chintz and the only pieces of manor furniture were a
tulipwood chest, with each of the drawers painted in different design
and soft faded colors, and a day-bed she found in the attic; both built
in the late seventeenth century. There was no spare bedroom, and the
day-bed, its head manipulated by chains, was to offer its inhospitable
surface to Elsie whenever she spent a night in New York. Otherwise it
was a chaise longue piled with cushions.
Her sitting-room, adjoining, she furnished almost entirely from the
manor: with a tavern table (reclaimed from the stables), a pond-lily box
with raised carving, an oak box with two rows of arched flutes, a
secretary with a single-arch molding and ball feet, two paneled chairs
from the dining-room, several Windsor chairs and two new ones for
comfort, a pine-paneled settle with a high back, and a Dutch
marriage-chest from the house in Albany. The curtains in the manor house
were faded and mended, but many of the fine old rugs were in good
condition and she sent over a pale Aubusson, ordered curtains of
artichoke-green pongee, and had the walls tinted in harmony.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account