United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
Remembering her mother’s love of old French furniture, she haunted
auction-rooms and picked up a set of eight pieces covered with tapestry
framed in wood painted black and decorated with gilt bow-knots; which,
the auctioneer assured his public, had once graced a château in
Brittany. At all events it graced the big drawing-room in West Twelfth
Street, and, mindful of man’s love of comfort, she had a large davenport
and several easy chairs made that harmonized in color if not in dubious
antiquity. The rug was black velvet, the walls were pale gray, and hung
eventually with odd old landscapes painted by long-forgotten artists for
former Bylants and Carterets. Singly they were caricatures of art, but
together, and monopolizing the field, they completed the atmosphere of
lightness and charm, and this room also faced south.
Bylant, who was about to re-lease his house in Albany, reserved the
dining-room furniture; his family silver, long stored, was little
inferior to that of Carteret manor, and included Dutch pieces brought to
the settlement from Holland in the early seventeenth century. The chairs
were Jacobean and a Knickerbocker Kas served as a sideboard and for the
display of the larger pieces of silver. He also sent for two fine
tapestries; and hoped that his prosperous brothers in art with
fashionable socialist tendencies would not cut him. His own chambers had
been comfortable but severe, and so was his refuge under the roof.
The narrow hall was painted white and furnished only with a high wide
chair made in Connecticut in the seventeenth century, from the Flemish
pattern, and an English ecclesiastical chest.
Gita had been so absorbed in this furnishing of her city home, and in
the fulfillment of an old day-dream, that she barely remembered she was
to occupy the house with a canonical husband, and Bylant was by no means
blind to her attitude. He was impatient with himself when he recognized
that he was seething with dull masculine resentment, and heroically made
and remade an effort to adapt himself to his fantastic situation with
philosophy, and trust to time and daily association to do its inevitable
work. To be the sulky misused husband was no part of his program; but
playing the rôle of sympathetic friend and intellectual partner under
that narrow roof was a discouraging prospect to a highly organized
nervous system, already overstrained by months of directing a naturally
mobile temperament into channels of unbroken repose—during long hours
on duty, at least—and acting the part of a sexless intelligence. He
foresaw attacks of nervous irritability in the seclusion of his fortress
upstairs.
CHAPTER XXI
Public-domain text, read in full here on John Shaqi.
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