The Cuckoo in the Nest, v. 1/2Oliphant, Mrs. (Margaret)
General
The Cuckoo in the Nest, v. 1/2
Oliphant, Mrs. (Margaret)
Fiction
Stimulated by this corrective of despondency, Patty resumed all her
natural smartness, flung up her head, so that all her artificial flowers
thrilled again, raised and expanded her parasol, and marched along like
an army with banners, taking up with her own slim person and shadow the
whole of the road. Humbler passersby, even the new curate, who was not
yet acquainted with the parishioners, got out of her way, recognising
her importance, and that sentiment as if of everything belonging to her
that was in her walk, in her bearing, and, above all, in the parasol,
which was carried, as is done still in Eastern countries, as a symbol of
sovereignty. Mr. Tripley, the curate, stumbled aside upon the grassy
margin of the road in his awe and respect, while Patty swept on; though
there was something in her members--that love of ancient habit,
scientifically known as a survival--which made the impulse to curtsey to
him almost more than she could resist. She did get over it, however, as
wise men say we get over the use of a claw or a tail which is no longer
necessary to us. Patty went along the high-road as far as the entrance
to the village street, and then turned down to where, at the very end of
it, there stood a little house in a little garden which was one of the
ornaments of the place. It was a house to a stranger somewhat difficult
to characterise. It was not the doctor’s or even the schoolmaster’s,
still less the curate’s, unless he had happened (as was the case) to be
an unmarried young man, who might have been so lucky as to attain to
lodgings in that well-cared-for dwelling. But, no; it was to well cared
for to take lodgers, or entertain any extraneous element; it was, in
short, not to be diffuse, the house of Miss Hewitt, the sister of
Richard Hewitt of the Seven Thorns, and aunt to Patty; the very Miss
Hewitt in her own person, who had sat at the window upstairs making the
vandyke in tape for her new petticoat, and to whom Sir Giles, in the
days of his youth, and all the gentlemen had taken off their hats. Those
had been the palmy days of the Seven Thorns, and the Hewitt of those
times had been able to leave something to his daughter, which, along
with a bit of money which she was supposed to have inherited from her
mother, had enabled Miss Hewitt to establish herself in great comfort,
not to say luxury, in Rose Cottage. It was a small slice of a house,
which looked as if it had been cut off from a row and set down alone
there. Its bricks were redder than any other bricks in the village,
indeed they were reddened with paint as high up as the parlour window;
the steps were whiter, being carefully whitened every day; the door was
very shiny and polished, almost like the panel of a carriage, in green;
the window of the parlour, at the side of the door, was shielded by
hangings of spotless starched muslin, and had a small muslin blind
secured across the lower half of it by a band of brass polished like
gold.
Public-domain text, read in full here on John Shaqi.
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