The Cultural History of Marlborough, Virginia: An Archeological and Historical Investigation of the Port Town for Stafford County and the Plantation of John Mercer, Including Data Supplied by Frank M. Setzler and Oscar H. DarterWatkins, C. Malcolm
History
The Cultural History of Marlborough, Virginia: An Archeological and Historical Investigation of the Port Town for Stafford County and the Plantation of John Mercer, Including Data Supplied by Frank M. Setzler and Oscar H. Darter
Watkins, C. Malcolm
Excavations (Archaeology) -- Virginia -- Marlborough; Marlborough (Va.) -- Antiquities; Mercer, John, 1704-1768; Plantation life -- Virginia
varied in quality, but we may be sure that most were crude, inexpertly
built, of frame or puncheon-type construction, and subject to
deterioration by rot and insects.
FOOTNOTES:
[39] HENRY CHANDLEE FORMAN, _Jamestown and St. Mary's_
(Baltimore, 1938), pp. 135-137.
[40] _William Fitzhugh and His Chesapeake World_, op. cit.
(footnote 3), p. 203.
[41] HAPPEL, op. cit. (footnote 22), p. 186; Stafford County
Order Book, 1689-1694, pp. 210-211.
FURNISHINGS OF TWO MARLBOROUGH HOUSES
Like George Mason, George Andrews ran an ordinary at the port town,
having been licensed in 1693, and he also kept the ferry across Potomac
Creek.[42] He died in 1698, leaving the property to his grandson John
Cave. From the inventory of his estate recorded in the Stafford County
records (Appendix A) we obtain a picture not only of the furnishings of
a house in the port town, but also of what constituted an ordinary.[43]
We are left with no doubt that as a hostelry Andrews' house left much to
be desired. There were no bedsteads, although six small feather beds
with bolsters and one old and small flock bed are listed. (Flock
consisted of tufted and fragmentary pieces of wool and cotton, while
"Bed" referred not to a bedframe or bedstead but to the tick or
mattress.) There were two pairs of curtains and valances. In the 17th
century a valance was "A border of drapery hanging around the canopy of
a bed."[44] Curtains customarily were suspended from within the valance
from bone or brass curtain rings on a rod or wire, and were drawn around
the bed for privacy or warmth. Where high post bedsteads were used, the
curtains and valances were supported on the rectangular frame of the
canopy or tester. Since George Andrews did not list any bedsteads, it is
possible that his curtains and valances were hung from bracketed frames
above low wooden frames that held the bedding. Six of his beds were
covered with "rugs," one of which was "Turkey work." There is no
indication of sheets or other refinements for sleeping.
Andrews' furniture was old, but apparently of good quality. Four "old"
cane chairs, which may have dated back as far as 1660, were probably
English, of carved walnut. The "old" table may have had a turned or a
joined frame, or possibly may have been a homemade trestle table. An
elegant touch was the "carpet," which undoubtedly covered it. Chests of
drawers were rare in the 17th century, so it is surprising to find one
described here as "old." A "cupboard" was probably a press or court
cupboard for the display of plates and dishes and perhaps the pair of
"Tankards" listed in the inventory. The latter may have been pewter or
German stoneware with pewter mounts. The "couch" was a combination bed
and settee. As in every house there were chests, but of what sort or
quality we can only surmise. A "great trunk" provided storage.
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