The Cup of Fury: A Novel of Cities and ShipyardsHughes, Rupert
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The Cup of Fury: A Novel of Cities and Shipyards
Hughes, Rupert
World War, 1914-1918 -- Fiction
Marie Louise rejoiced in the dull splendor of the hall. The obsolete
gorgeousness of the London home had never been in good taste, but had
grown as lovable with years as do the gaudy frumperies of a rich old
relative. All the good, comfortable shelter of wealth won her blessing
now as never before. The stairway had something of the grand manner,
too, but it condescended graciously to escort her up to her own room;
and there, she knew, was a solitude where she could cry as hard as she
wanted to, and therefore usually did not want to. Besides, her mood
now was past crying for.
She was afraid of the world, afraid of the light. She felt the
cave-impulse to steal into a deep nook and cower there till her heart
should be replenished with courage automatically, as ponds are fed
from above.
Marie Louise wanted walls about her, and stillness, and people shut
out. She was in one of the moods when the soul longs to gather its
faculties together in a family, making one self of all its selves.
Marie Louise had known privation and homelessness and the perils they
bring a young woman, and now she had riches and a father and mother
who were great people in a great land, and who had adopted her into
their own hearts, their lives, their name. But to-day she asked
nothing more than a deep cranny in a dark cave.
She would have said that no human voice or presence could be anything
but a torture to her. And yet, when she hurried up the steps, she was
suddenly miraculously restored to cheerfulness by the tiny explosion
of a child's laughter instantly quenched. She knew that she was about
to be ambushed as usual. She must pretend to be completely surprised
once more, and altogether terrified with her perfect regularity.
Her soul had been so utterly surprised and terrified in the outer
world that this infantile parody was curiously welcome, since nothing
keeps the mind in balance on the tight-rope of sanity like the
counterweight that comedy furnishes to tragedy, farce to frenzy, and
puerility to solemnity.
The children called her "Auntie," but they were not hers except
through the adoption of a love that had to claim some kinship. They
looked like her children, though--so much so, indeed, that strangers
thought that she was their young mother. But it was because she looked
like their mother, who had died, that the American girl was a member
of this British household, inheriting some of its wealth and much of
its perilous destiny.
She had been ambuscaded in the street to-day by demons not of faery,
but of fact, that had leaped out at her from nowhere. It solaced her
somehow to burlesque the terror that had whelmed her, and, now that
she was assailed by ruthless thugs of five and seven years, the
shrieks she had not dared to release in the street she gave forth with
vigor, as two nightgowned tots flung themselves at her with
milk-curdling cries of:
"Boo-ooh!"
Holding up pink fat hands for pistols, they snapped their thumbs at
her and said:
"Bang! Bang!"
Public-domain text, read in full here on John Shaqi.
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