The Cup of Trembling, and Other StoriesFoote, Mary Hallock
General
The Cup of Trembling, and Other Stories
Foote, Mary Hallock
United States -- Social life and customs -- 19th century -- Fiction
The day after Ferris left me I rode out upon that arrested tide--those
silent breakers which for ages have threatened, but never reached, the
shore. I tried to fancy it as it must once have been, a sluggish,
vitreous flood, filling the great valley, and stiffening as it slowly
pushed toward the bases of the hills. It climbed and spread, as dough
rises and crawls over the edge of the pan. The Black Lava is always
called a sea--that image is inevitable; yet its movement had never in
the least the character of water. "This is where hell pops," an old
plains-man feelingly described it, and the suggestion is perfect. The
colors of the rock are those produced by fire: its texture is that of
slag from a furnace. One sees how the lava hardened into a crust, which
cracked and sank in places, mingling its tumbled edges with the creeping
flood not cooled beneath. After all movement had ceased and the mass was
still, time began upon its tortured configurations, crumbled and wore
and broke, and sifted a little earth here and there, and sealed the
burnt rock with fairy print of lichens, serpent-green and orange and
rust-red. The spring rains left shallow pools which the summer dried.
Across it, a few dim trails wander a little way and give out, like the
water.
For a hundred miles to the Snake River this Plutonian gulf obliterates
the land--holds it against occupation or travel. The shoes of a marching
army would be cut from their feet before they had gone a dozen miles
across it; horses would have no feet left; and water would have to be
packed as on an ocean, or a desert, cruise.
I rode over places where the rock rang beneath my horse's hoofs like the
iron cover of a manhole. I followed the hollow ridges that mounted often
forty feet above my head, but always with that gruesome effect of
thickening movement--that sluggish, atomic crawl; and I thought how one
man pursuing another into this frozen hell might lose himself, but never
find the object of his quest. If he took the wrong furrow, he could not
cross from one blind gut into another, nor hope to meet the fugitive at
any future turning.
I don't know why the fancy of a flight and pursuit should so have
haunted me, in connection with the Black Lava; probably the desperate
and lawless character of our conversation at the stage-house gave rise
to it.
Public-domain text, read in full here on John Shaqi.
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