Personal costume, although mixed up with the very earliest of heraldric
devices, furnishes scarcely any regular charges. Excepting shoes, caps,
and body-armour, the _maunch_ is almost the only one derived from this
source. This charge, a familiar example of which occurs in the arms of the
noble family of Hastings, represents an antient fashion of sleeve worn
soon after the Conquest, but of such an extravagant form that Leigh
blazons it a _maunch-maltalé_, a badly-cut sleeve; and certainly the
example given by him fully justifies the use of that epithet. The taste
for a long pendulous addition to the cuff of the sleeve forms one of the
most curious features of the female costume of the twelfth century.
According to Brydson, the maunch was a distinguished "favour" bestowed on
some knights, being part of the dress of the lady or princess who
presented it.
The woodcut (no inappropriate _tail-piece_ for the present chapter)
delineates several antient forms of this article. Well may Master Leigh
remark, "Of thinges of antiquitee growen out of fashion this is one."
[Illustration: No. 1, Leigh; 3, 4, from Planché's Hist. Brit. Cost.; 2,
Arms of Hastings, from the tomb of W. de Valence, Earl of Pembroke,
Westminster Abbey.
=Mangys be called in armys a sleue.=
_Boke S. A._]
CHAPTER IV.
Chimerical Figures of Heraldry.
[Illustration]
"Manye merveylles there ben in that regioun."
_Sir John Maundevile._
Public-domain text, read in full here on John Shaqi.
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