The flourished ornament behind the crest, and which is often made to encompass the entire armorial insignia, was originally either a mantle of estate, worn when the warrior was not actually engaged in battle, and tinctured of the metal and colour of his arms,[170] or from the _lambrequin_, a small piece of cloth or silk employed to protect the helmet from rain, as well as to prevent the polished steel from dazzling the eyes of the spectator. The jags and flourishes are conjectured to represent the cuts which a valiant knight would receive in battle; and hence the extravagant fashion of painting these mantlings was probably intended as a compliment to the prowess of the bearer. SUPPORTERS are those figures which stand on each side of the escocheon, and appear to support, or hold it up. In Latin blazon they are termed Talamones and Atlantes, and in French _supports_ or _tenans_. As crests are more recent than coat-armour, so supporters are of later date than crests. Menestrier, the great classic of French heraldric literature, deduces the origin of supporters from the antient tournaments, at which it was customary for the knights who engaged in those chivalrous exercises to have shields of their arms adorned with helmets, mantlings, wreaths, crests, and other ornamental appendages suspended near the lists. These were guarded by pages and armour-bearers fantastically attired as Saracens, Moors, Giants, and Mermaids, or disguised with skins to resemble lions, bears, and other animals. The figures adopted in this kind of masquerade became afterwards the supporters of the family achievement. As I have not had the good fortune to read Menestrier's work, and only know it through quotations, I am unable to ascertain by what arguments and proofs his hypothesis is strengthened; but I may be allowed to express my doubts as to this picturesque origin of supporters. The account of it given by Anstis, in his Aspilogia, appears to me to be far more probable: "As to supporters, they were (I take it) _the invention of the graver_, who, in cutting, on seals, shields of arms, which were in a triangular form and placed on a circle, finding a vacant place at each side and also at the top of the shield, thought it an ornament to fill up the spaces with vine branches, garbs, trees, flowers, plants, ears of corn, feathers, fretwork, lions, wiverns, or some other animals, according to their fancy.[171]