The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetaryKunz, George Frederick
Religion
The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetary
Kunz, George Frederick
Gems; Gems -- Folklore
The long-continued concentration of vision on an object tends to
produce a partial paralysis of certain functions of the brain. This
effect may be noted in the helplessness of a bird when its gaze is
fixed upon the glittering eyes of a serpent, or in the unwilling
obedience yielded by a lion or some other wild animal when forced to
look into the intent eyes of its trainer. In the same way those who
gaze for a long time and without interruption on a crystal or glass
ball, on an opal, a moonstone, a sapphire, or a cat’s-eye, may become
partially hypnotized or even fall into a profound sleep. The condition
induced, whether it be that of semi-trance, of hypnotism, or simply
due to the imaginative workings of the brain, is believed to give an
insight into the future. This hypnotic effect is probably caused by
some gleam or point of light in the stone, attracting and fixing the
beholder’s gaze. The moonstone, the star sapphire, and the cat’s-eye
are all gems which possess a moving light, a moving line, or three
crossed lines, and they are believed by the Orientals to be gems of
good luck. Indeed, it is supposed in the East that a living spirit
dwells within these stones, a spirit potent for good.
Superstitious fancies bear the same relation to truth that the shadow
of a form does to the form itself. We know that the shadow has no
substantial existence, and yet we know equally well that it is cast by
some real body; in the same way we may be sure that, however foolish
a superstition may appear to be, it has some foundation in fact.
Indeed, superstition is associated with the highest attribute of the
human mind,—imagination. The realities about us gain much of their
charm from sentiment, and all that is great in art and literature
owes its being to the transforming energy of pure imagination. Morbid
imagination, on the other hand, distorts and degrades the impressions
it receives and produces only unlovely or ignoble forms and ideas.
Sentiment may best be expressed as the feeling of one who, on a
warm summer’s day, is rowing along a shady brook or resting in some
sylvan dell, with nothing to interfere with his tranquil mood and
nothing to spur him on to action; thus he has only suggestions of
hope and indulges in rosy views of life. Reality, on the other hand,
may be likened to a crisp winter’s morning when one is filled with
exhilaration, conscious of the tingle of the cold, but comfortable in
the knowledge of wearing a tightly-buttoned garment which will afford
protection should the elements become disturbing. Superstition, lastly,
can be said to resemble a dark, cold, misty night, when the moon is
throwing malevolent shadows which are weird and distorted, while the
cold seems to seize one by the throat and arouse a passionate desire
to free one’s self from its grip in some way, to change a horrible
nightmare into a pleasant dream.
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