The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
is the God of the publican as well as of the Pharisee. Who dares
excommunicate me? What child of the Universal Father shall dare to say
that another is excluded from His love and care and protection? Verily,
the day of Judgment will be a day of startling revelations. And many
that are first shall be last, and the last shall be first.” And then the
actress fell into silence, and her fine countenance lost that look of
captious self-defence, and settled into meditative earnestness.
Zuleime arose to go. Mrs. Knight took her hand, and said, gently—
“My dear, think over what I have proposed to you. If you decide to
accept my proposition, I will take every possible care of you. You shall
be as my own daughter. I will shield you from all dangers. I will
instruct you in your art. And I will give you the freedom of my
wardrobe. Good-night. Will you kiss me?”
And she drew Zuleime to her bosom. The poor girl pressed her lips to
those of the actress, and slipping through the door, passed up in the
dark and cold to her own room.
Ida went to bed, but the poor, generous, irritable woman could not sleep
for sympathy, for anxiety, and for the sound of Zuleime’s racking cough.
“She will never be able to sing much, I am really afraid. But she shall
be paid well for dressing, and for making her beautiful face and form a
part of the pageantry—that I am determined upon, if I have any influence
with the management,” thought Ida, as she sank to sleep.
Rusty and threadbare clothing, broken shoes, cold, hunger, and a
suffering child, are forcible arguments, and they seconded the
persuasions of Ida with tremendous power.
Zuleime yielded, and was carried down the current of fate as easily,
with as little resistance as the sapling beaten down by the rain,
uprooted by the wind, and carried off by the flood, is whirled down the
stream.
It was the fatal night of the 26th of December, 1811, the night of the
burning of the Richmond Theatre, a night ever to be remembered in the
annals of that city, and ever to be mourned in the hearts of her
citizens. That evening more than six hundred lovers of pleasure were
gayly preparing for the theatre; not dreaming, alas! that they also were
doomed to take fearful part in an awful tragedy—a tragedy unprecedented
in the history of the stage. Before eight o’clock, more than six hundred
persons, from pleasant city homes all around, assembled in the fated
building; before twelve o’clock, more than one hundred had perished
horribly in the flames! and the scarcely surviving five hundred, many
wounded, maimed, or burned, all despairingly mourning the awful fate of
nearest relatives and friends, returned or were borne back to their
desolate homes!
Public-domain text, read in full here on John Shaqi.
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