The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
That afternoon, unprophetic of doom as any of the others, Zuleime and
her friend were preparing to go on the stage. Zuleime had no part to
perform—she was as yet only an attaché—and was to appear but in one
scene, as one of a group of villagers. She was engaged in fixing up a
peasant dress, consisting of a straw hat, black spencer, short gray
skirt, and striped stockings. Mrs. Knight was, as usual, doing two
things at once—arranging her costume and studying her part. But the eyes
of Ida often wandered towards Zuleime, as she heard that hacking,
racking cough, and she noticed with pain the waning face. Yes! within a
few days even, the thin face had become perceptibly thinner, and the
flushed cheek burned with a darker crimson. “And she will make a sorry
looking peasant,” thought Ida; “a very sorry peasant, with that
delicate, spiritual, almost ærial face and form of hers. How absurdly
inappropriate are most of the affairs we get up! Truly, our art is in
the rear of all others. Now, this evening, all go on as villagers—vulgar
and refined—all reduced to one level. Those coarse, brawny Miss
Butchers, and this fragile, delicate Zuleime, all peasants—very well for
the Miss Butchers, but for Zuleime! To-morrow evening all go on as
faries; excellent well for this ærial Zuleime, but for the Miss
Butchers! Well, our notions are fanciful as arbitrary—and there may be
peasants who have delicate, white, semi-transparent fingers, and there
may be faries with large, flat feet, and great red hands, for aught we
know.” While Mrs. Knight silently cogitated, and covered her white satin
shoes anew, and studied her part, Zuleime worked on also in silence, but
too despairing, too exhausted, even to think of the wayward fate which
had brought her to this pass.
At about sunset their preparations were completed. Ida, as usual, rang
for her cup of coffee and her errand boy, and packed up and sent away
the costume for the evening. Then she put her own little girl and
Zuleime’s child to sleep together in her bed, and got Bertha to promise
to look in, in the course of the evening, and see that all was safe. And
then poor Ida carefully wrapped Zuleime up in her own mantilla, and
wound her own furs around her neck, saying, in answer to all
expostulation—
“Never mind _me_, my dear! I’ve got no cough. Haggard as I look, I’m
whit-leather! _You_ must take care of your poor little self.”
And then they left the house, walking briskly through the biting air,
and crunching the crusted snow under their quick footsteps. Though but
little after sunset, owing to the heavy clouds, it was almost dark when
they hurried along the streets. There was the usual number of
foot-passengers abroad, and once, as the slight figure of a man in a
military cloak swiftly hurried past, Mrs. Knight felt her arm suddenly
grasped with spasmodic force by her companion, and turning around, she
saw the face of Zuleime deadly pale.
“Why, what is the matter, my dear child?”
Public-domain text, read in full here on John Shaqi.
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