The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
Her husband sat and held her hand, never moving, scarcely breathing,
lest he should disturb her long, deep sleep. He sat there more than an
hour. The room grew dark with the shades of evening; and when at length
Catherine entered with the night lamp, he raised his hand with a sign of
silence and caution, murmuring—
“She has fallen asleep.” Catherine approached quietly, shading the lamp
with her hand, and looked upon the sleeper. “Hush, be very cautious—do
not disturb her,” whispered Frank.
The sweet and solemn voice of Catherine gently arose, saying, “Come
away, Captain Fairfax. Nothing will ever disturb her more. She has
fallen asleep in Jesus.”
CHAPTER XXVI
GEORGIA.
The serpent now began to change;
Her elfin blood in madness ran.—KEATS
Two months have passed since the death of the sisters. To the
consternation of the _haut ton_ of the city, the beautiful Mrs. Clifton
has left Richmond, and come down to mourn with those that mourn at White
Cliffs. With an air at once of earnest conviction and graceful
weariness, she says that it is “All vanity and vexation of spirit,”
meaning fashionable society, spring traveling, and sight seeing; summers
at watering places among the mountains, or by the sea-side; winters in
town, with plays, concerts, balls, dressing, visiting and waltzing;
autumn parties in the country-houses, with equestrian expeditions,
sailing excursions, and forest rides and drives, and even the moonlight
serenades, and “the slight flirtation by the light of the chandelier.”
Mrs. Georgia speaks the truth. “Vanity” all this undoubtedly is in
_her_. But _entres nous_, the “vexation of spirit” appertains to certain
“small” accounts, ranging from fifty to fifteen hundred dollars, and
sent in by landlords, merchants, jewelers, milliners, etc., people so
wanting in delicate perception, as not to see that the honor of the
belle’s custom was quite payment enough in itself for their goods, and
so utterly destitute of classic lore, and the faculty of distinguishing
persons, as actually to draw out on a piece of paper a list of items
opposite to a row of figures, with a sum total at the bottom, and send
it to a Circe, as if she were a tradesman, and could understand it!
Charming Georgia did not even try to comprehend such mysterious
hieroglyphics. She knew, bewitching creature! that “where ignorance is
bliss, ’tis folly to be wise.” Therefore, to escape duns, to recruit
health and spirits, and, of all things, to console Major Clifton, she
has come down to White Cliffs. The beautiful Georgia presented herself
to the mourning master of White Cliffs in a very deprecating spirit—she
said that she felt her arrival there at such a moment to be almost an
intrusion, but that he would excuse it, as she had exhausted money and
credit, and had no other home.
Public-domain text, read in full here on John Shaqi.
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