The curse of Clifton : $b or, the widowed bride — John Shaqi
The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
A most portentous trial waits thee now—
Woman’s bright eyes and dazzling snowy brow.—MOORE.
The torrents had been so terribly swollen and overflowed, and the roads
so dreadfully washed and guttered by the tempest and flood of the
preceding evening, that the travellers found the greatest difficulty in
pursuing their journey, often having to turn back miles on this road to
take another way, and often being obliged to search leagues up and down
the course of a river, to find a practicable ford.
Therefore it was near night-fall when they crossed the last range of
forest-crowned mountains, and descended into the wooded valley that lay
between them and White Cliffs. A winding road through the woods brought
them to the house. The full moon was rising East of the cliffs, and
casting their shadow back across the house and lawn. The mansion was a
lofty edifice of white stone, with terraced roof, and many irregular,
projecting wings. The tall trees surrounding the buildings, the lofty
cliffs rising behind them, the dark shadow falling on all; the hour, the
silence, and the solitude, gave an air of refreshing coolness and deep
repose to the scene. On turning an angle of the building, they saw the
drawing-room windows open, and the light from them gleaming out
cheerfully across that part of the lawn. At that moment a servant,
waiting at the hall door, came down to take their horses.
“All well at home, Dandy?” inquired Captain Clifton, as he dismounted,
and threw him the reins.
“Sarvint, sir. All very well,” replied the man, touching his hat.
Captain Clifton led the way up into the hall adjoining the drawing-room,
where they were met by an old gentleman, who seized both of Clifton’s
hands, and shook them slowly and cordially, as he said, dropping each
word separately, with a hearty, luscious emphasis—
“Why—my—dear—boy—how glad I am—to see you!”
“And I am very happy to be with you, sir; and to find you looking so
well. Allow me to introduce to your acquaintance—Lieutenant Fairfax, of
my company,” said Captain Clifton, presenting his friend.
“Glad to see him! Glad to see Mr. Fairfax! Glad to welcome any friend of
my nephew’s to Clifton. How-do-you-do, sir? Knew your relative, Lord
Fairfax, of Greenway Courthouse. Excessively fond of hunting. Kept
bachelor’s hall. Very great mistake, that—very! Hope you won’t follow
his example! Fine man, however, and I honor his memory! Come in, sir!
come in! Come in, Archy! My—dear—boy—I’m—so—del—_ighted_ to see you!”
Whenever he spoke to his nephew, he seemed to dwell upon each separate
syllable with a cordiality impossible to describe.
Public-domain text, read in full here on John Shaqi.
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